“姑苏版”与桃花坞木刻年画的比较研究

发布时间：2018-05-09 16:16

本文选题：姑苏版 + 桃花坞木刻年画　；参考：《南京艺术学院学报(美术与设计)》2017年04期

【摘要】："姑苏版"木刻和桃花坞木刻年画是苏州套色版画在不同时期的展现,两者在产生背景和艺术特征上都有明显的区别。"姑苏版"受清宫廷木版画和铜版画影响深刻,以"仿泰西笔法"闻名,精品迭出,多销往海外,不具有年画的民俗性特征,在中国乃至世界美术史上占有一席之地;桃花坞木刻年画则由"姑苏版"发展而来,受众主要为普通市民或农民,从艺术造型、色彩搭配、刻印技法、画面内容到意蕴层次都没有"姑苏版"精致完美,但其艺术风格较之姑苏版简洁浓烈,凸显了民间艺术的淳朴气息和装饰性审美特征,在我国传统工艺美术领域具有重要的地位和影响。分清两者的异同,无论对于正确认识和评价苏州套色版画整体的文化价值和艺术价值,还是更好地研究、保护、传承和创新桃花坞木刻年画这一国家非物质文化遗产均有重要意义。
[Abstract]:"Gusu version" woodcut and Taohuawu woodcut New year painting are the manifestation of Suzhou overlay print in different periods, and there are obvious differences in the background and artistic features between them. " Gusu edition was deeply influenced by Qing court woodblock prints and copperplate prints, famous for its imitation of the Taixi style of writing, the fine works were sold abroad, and it did not have the folklore characteristics of New year's paintings, so it had a place in the history of art in China and even the world. The Taohuawu woodcut New year painting is developed from the "Gusu version". The audience is mainly ordinary citizens or farmers. From artistic modeling, collocation of colors, engraving techniques, there is no exquisite and perfect "Gusu version" on the screen content to the level of implication. But its artistic style is more concise and strong than Gusu version, which highlights the simplicity and decorative aesthetic characteristics of folk art, and has an important position and influence in the field of traditional arts and crafts of our country. To distinguish the similarities and differences between the two, whether to correctly understand and evaluate the cultural value and artistic value of Suzhou color prints as a whole, or to study and protect them better, Inheriting and innovating the Taohuawu woodcut New year painting is of great significance to the intangible cultural heritage of the country.
【作者单位】：苏州科技大学传媒与视觉艺术学院;
【基金】：2016年度苏州科技大学科研基金项目“新形式下苏州文化‘走出去’路径与机制研究”阶段性成果(XKR201601)
【分类号】：J218.3

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