高昌回鹘时期摩尼教绘画特征研究

发布时间：2018-05-09 21:11

本文选题：高昌回鹘 + 摩尼教　；参考：《贵州民族研究》2017年03期

【摘要】：高昌回鹘时期摩尼教绘画特征既源自于该教本身的哲学内涵与摩尼自身的艺术修养,又深受希腊、罗马文化的影响,同时又吸纳萨满教、佛教、印度教等多宗教及中原文化的审美思想。绘画类型主要分为壁画、插画、幡画几个方面,载体为寺院的墙壁、绢、麻等材质上,内容主要表现摩尼及众教士像、男女选民像、供养人像、神祗像以及装饰图案等。这一时期的绘画是在西域本地原有艺术营养成分的基础上,创造出了具有极高艺术价值的绘画作品。
[Abstract]:The painting characteristics of Manichaeism in the period of Gaochang Uighur not only derived from the philosophical connotation of this religion and the artistic accomplishment of Mani itself, but also deeply influenced by Greek and Roman culture, at the same time absorbed Shamanism and Buddhism. The aesthetic thoughts of Hinduism and other religions and the Central Plains culture. Painting types are mainly divided into murals, illustrations, banners painting several aspects, the carrier for the temple walls, silk, linen and other materials, the content of the main performance of the Moni and the priests, male and female voters, statues, gods and decorative patterns. The painting of this period was based on the original art nutrition of the Western region, and created a painting with high artistic value.
【作者单位】：新疆师范大学美术学院;
【分类号】：K879.4

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