“玩味”与“回味”之我见

发布时间：2018-05-10 14:51

本文选题：装饰 + 卡通　；参考：《辽宁师范大学》2013年硕士论文

【摘要】：谷老师教我们对待创作要区别于平时写生及复制生活照片,在与老师同去湖南采风的那段时间我用心观察一切人物与事物,感受到大千世界的纷繁复杂,突发灵感,想从另一个角度即童话的世界去与我们现实的世界进行对比与权衡。把童话故事里的人物与现实世界的人物产生联系,这一系列的变化非常值得人们去细细品味其中真谛。画面构图、色彩主要借鉴了马蒂斯的《红色画室》这一作品,画风借鉴了日本最受欢迎的由贵香织里的细腻风格,画面效果处理借鉴了克里姆特的油画装饰性语言以及美国艺术家Graphicals在粗麻布纹路上刻画的细腻笔触。在国内,借鉴了中国当代超现实主义画家、幻想插画具有代表行的画家于驰洋作品的风格。在中国当代艺术的走向中,80后90初的年轻艺术家在摆脱了学院传统与现实主义所建立的价值体系的同时要直接面对的是新的文化专题。比如艺术家陈流的油画创作以一种幽默诙谐的游戏形式将中国传统文化、西方古典主义、现代的流行文化和卡通漫画一并柔和进画面之中来实现,画面中有如童话般梦幻的情景在近似异想天开的滑稽和荒诞。我这一系列创作的风格比较有童趣性。色彩：在色彩的运用上突破了以往的高级灰色、写生色,采用的是表现性色彩,摆脱真实感的束缚和限制,大量运用对比色以及明亮的色彩。点线面：对主体物的细腻处理及对背景的放松处理,表现出创作的节奏性。形式感：比较当代的表现手法,童话与现实的巧妙贴合,似乎在梦里又在现实中。
[Abstract]:Mr. Gu taught us to treat creation differently from the usual sketching and copying of life photos. During the time when I went to Hunan with my teacher to pick up the wind, I carefully observed all the characters and things, and felt the complexity and sudden inspiration of the vast world. Want to compare and weigh with our real world from another angle, the world of fairy tales. Connecting the characters in the fairy tales with the characters in the real world, this series of changes is very worthy of people to savor the true meaning. The composition of the picture, the color mainly borrowed from Matisse's "Red Studio" this work, drawing on the style of Japan's most popular delicate style from the fragrance. Image effect processing draws lessons from Klimt's decorative oil painting language and the fine brushstrokes of American artist Graphicals on rough linen lines. At home, drawing lessons from Chinese contemporary surrealist painters, illusions have the style of the representative artist's works. In the trend of Chinese contemporary art, the young artists in the early 1980s and early 1990s have to face the new cultural special topic directly while they get rid of the value system established by the college tradition and realism. For example, artist Chen Liu's oil painting works in the form of a humorous and witty game, bringing Chinese traditional culture, western classicism, modern popular culture and cartoon into the picture together. The fairytale scene in the picture is almost whimsical funny and absurd. The style of my creation is more childlike. Color: in the use of color broke through the previous advanced gray, sketching color, the use of expressive color, free from the shackles and limitations of the sense of reality, a large use of contrast and bright colors. Point line: the delicate treatment of the subject and the relaxation of the background show the rhythm of creation. Sense of form: comparison of contemporary expression, fairy tales and the clever combination of reality, it seems in the dream and in reality.
【学位授予单位】：辽宁师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J204

【参考文献】