论习作与油画创作之关系

发布时间：2018-05-11 03:42

本文选题：绘画习作 + 创作　；参考：《安徽师范大学》2014年硕士论文

【摘要】：在传统的油画艺术学习中，通常情况下我们常常习作与油画创作的界限划分的很明确，课堂的练习，短时间内完成的作品往往被我们定义为习作，而创作被认为是一种思考、归纳、总结后，通过一定的艺术手法呈现出来的作品。在带有这种观念的思考情况下，，我们自觉不自觉地把习作与创作区分开来，但这样的观点不可避免的使习作与创作脱节，创作也没能在习作的基础之上再升华，二者等同，从而使我们忽略基本功的训练。因此我们要学会转换思维，让习作与创作更好地结合起来。习作与油画创作有区别也有联系，本文首先论述习作与创作的定义，加深对于绘画创作与习作的认识。通过个案来分析论点，再加上个人的绘画经历进行总结。只有充分认识了二者的关系，才能在绘画中让二者更好发挥其功用，绘画能力不断地得到提高。
[Abstract]:In the traditional study of oil painting, we usually draw a very clear line between the painting and the painting. The practice in class and the work completed in a short time are often defined as exercises, and the creation is regarded as a kind of thinking. After the induction, the summary, through the certain artistic technique presents the work. In the case of thinking with this idea, do we consciously distinguish the exercises from the creation, but this view inevitably disconnects the exercises from the creation, and the creation fails to sublimate on the basis of the exercises, and the two are the same? So that we ignore the training of basic skills. Therefore, we should learn to change our thinking so that we can better combine the exercises with the creation. There are differences and links between exercises and oil paintings. This paper first discusses the definition of exercises and creation to deepen the understanding of painting creation and exercises. Analyze the argument by case, and sum up the personal painting experience. Only when we fully understand the relationship between the two, we can make them better play their functions and improve their painting ability.
【学位授予单位】：安徽师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J213

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