论中国水彩艺术中的投影

发布时间：2018-05-11 10:52

本文选题：投影 + 中国水彩画　；参考：《西安美术学院》2017年硕士论文

【摘要】：投影在绘画发展中起到过重要作用,同时,投影的表现是中西方绘画审美差异的重要体现。水彩画源于西方,封建社会末期传入中国,伴随着动荡的社会变革,在数代中国艺术家的努力下使其形成了具有中华民族特色的“中国水彩画”。作为东西方艺术融合的混血儿,中国水彩画在投影的表现上开始呈现出别样的风格特点,大大丰富了水彩画的表现语言。投影不仅在画面的形式和构成方面,在揭示画面主题增强画面情感力度等方面也展现了重要价值。但从我国近些年来各大展览上的水彩作品来看,认识到这些重要价值并应用于画面的艺术家如凤毛麟角,艺术家集体对投影的认识以及主观改造上其实仍处于一种“无意识”的“伴随”状态,对投影的关注以及发掘程度仍然不够。本文以投影的多样魅力和中国水彩画中投影的表现形式为铺垫,着重抓取中国水彩画中投影的艺术特色,对投影在中国水彩画中的巨大发展潜力作了肯定和具体论述。本文第一章多角度的从自然、各国文艺作品、东西方传统绘画以及现代绘画介绍了投影多方面的内涵和作用。第二章分为两个部分,第一部分将中国水彩画分为三个重要时期,纵向分析了投影在画面中扮演的角色,指出投影表现的变化是贯穿中国水彩发展进程的。第二部分横向分析和归类,将投影在中国水彩画中的艺术特色分为三类,并做了具体举例分析,揭示了投影对画面的重要影响。最后一章对投影的思考,给出了投影表现的变化为何会紧随中国水彩发展进程的原因,并指出,投影之于中国水彩画的发展仍具有巨大潜力值得发掘。本文旨在揭示投影的创作价值,以期众多水彩学子在理论和实践中给予其足够重视。
[Abstract]:Projection has played an important role in the development of painting, at the same time, the expression of projection is an important embodiment of aesthetic difference between Chinese and western painting. Watercolor painting originated from the West and was introduced into China at the end of feudal society. With the turbulent social change, watercolor painting with Chinese characteristics was formed with the efforts of generations of Chinese artists. As a hybrid of eastern and western art, Chinese watercolor painting began to show a different style on the performance of projection, greatly enriched the performance language of watercolor painting. Projection not only in the form and composition of the picture, but also in revealing the picture theme to enhance the emotional intensity of the picture also shows important value. However, judging from the watercolor works on various exhibitions in China in recent years, artists who recognize these important values and apply them to the paintings are rare. In fact, the collective understanding and subjective transformation of projection by artists are still in a state of "unconsciousness" accompanying ", and the degree of attention and exploration of projection is still insufficient. Based on the various charm of projection and the manifestation of projection in Chinese watercolor painting, this paper lays emphasis on grasping the artistic characteristics of projection in Chinese watercolor painting, and affirms and concretely discusses the great development potential of projection in Chinese watercolor painting. The first chapter introduces the connotation and function of projection from nature, literature and art works of various countries, traditional painting of East and West and modern painting. The second chapter is divided into two parts. The first part divides Chinese watercolor painting into three important periods. It analyzes the role of projection in the picture and points out that the change of projection performance runs through the development process of Chinese watercolor. The second part of the horizontal analysis and classification, will be projected in Chinese watercolor painting in the artistic characteristics of three categories, and made a concrete example analysis, revealed the projection of the important impact on the screen. In the last chapter, the author gives the reason why the change of projection performance follows the development process of Chinese watercolor, and points out that projection to the development of Chinese watercolor painting still has great potential to be excavated. The purpose of this paper is to reveal the creative value of projection, with a view to paying enough attention to it in theory and practice.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J215

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