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中国当代写意重彩画的表现特征

发布时间:2018-05-11 14:59

  本文选题:写意重彩画 + 艺术语言 ; 参考:《华中师范大学》2014年硕士论文


【摘要】:丰富多彩的社会必有多彩的艺术,生活造出艺术,艺术便丰富人类生活。随着社会各方面发展,艺术同时也要改变自身的。本文通过对写意重彩画形成的历史、文化背景、美学观念、表现特征,以及写意重彩画与传统重彩画的继承关系和当代写意重彩画本身特殊之处,又通过它的色彩、机理、材料各方面进行详细论述写意重彩画在当代中国的发展中的墨与色彩、材料与表现关系及其运用。当代写意重彩画深深的直根于中国历代造型艺术精华,又以包容的情怀吸收外来的营养,并在此基础之上以文人想法的关切进行艺术创作。因而,为了发展中国画更必然做出突破往前的格式以及形态内容,扩展与把握当代社会所需要的一切,走出古老绘画表现方式以及审美价值定势和语言体系,打开新的一条艺术之路,改变与加强个性风格,肯定自己,彻底发挥当代所在的审美价值观念。从而建立出来新的造型艺术体系语言。本文通过三大部分进行论述,第一章绪论概括写意重彩画发展过程;第二章继承传统、融入当代的写意重彩画中的,笔者从重彩写意画的文化、美学以及传统的笔墨精神背景,引入当代多元化写意重彩画的核心;第三章当代写意重彩画主要表现特征,主要谈写意画继承了传统,吸收外来的营养,接受现代社会审美价值的要求方面,引发多样化表现方面,材料基本上是探索于传统,但表现形式有所突破了传统。在第四章当代写意重彩画色彩表现探索中,笔者在传统与当代的墨与色相结合,通过一些写意重彩画代表画家进行综合与分析,色彩究竟如何对于人的影响,说明色彩对当代绘画中的重要性。最后是大问题的结论,说明当代写意重彩画对于写意性的精神,就满足传统的笔墨意境表现形式,在渗入当代艺术之后,就综合了色彩的厚重与艳丽美感,造型抽象变形,多样化了题材。在用色和造型上更加自由,注重画家的情感表达。之所以,写意重彩画是传统也是当代的,打开一个更辽阔的表现空间,倡导笔墨与色块契合的美感。
[Abstract]:Colorful society must have colorful art, life creates art, art will enrich human life. With the development of all aspects of society, art must also change its own. In this paper, through the formation of freehand brushwork heavy color painting history, cultural background, aesthetic concepts, performance characteristics, as well as the inheritance relationship between freehand brushwork heavy painting and traditional heavy color painting and the special features of contemporary freehand brushwork heavy color painting, and through its color, mechanism, This paper discusses in detail the ink and color of freehand brushwork in the development of contemporary China, the relationship between material and expression and its application. The contemporary freehand heavy color painting is deeply rooted in the essence of Chinese plastic arts, and absorbs the external nutrition with the tolerant feelings, and on this basis carries on the artistic creation with the scholar's thought concern. Therefore, in order to develop Chinese painting, it is more inevitable to break through the forward format and form content, expand and grasp all the needs of contemporary society, and go out of the expression mode of ancient painting, as well as the pattern of aesthetic value and language system. Open a new way of art, change and strengthen personality style, affirm oneself, and give full play to contemporary aesthetic values. In order to establish a new plastic arts system language. The first chapter generalizes the development process of freehand brushwork heavy color painting, the second chapter inherits tradition, and integrates into the contemporary freehand brushwork heavy color painting, the author from the culture, esthetics and traditional brushwork spirit background of the heavy color brushwork, the author carries on the discussion through three parts, the first chapter generalizes the development process of the freehand brushwork heavy color painting; The third chapter introduces the main characteristics of contemporary freehand brushwork heavy color painting, mainly talking about the inheritance of tradition, absorption of foreign nutrition, acceptance of the aesthetic value of modern society. In the aspect of arousing diversified performance, the material is basically exploring the tradition, but the form of expression has broken through the tradition. In the fourth chapter, in the exploration of color expression of contemporary freehand brushwork heavy color painting, the author combines the traditional and contemporary ink and color, through some freehand brushwork heavy color paintings on behalf of the painter to carry on the synthesis and analysis, how color on the human influence, Explain the importance of color in contemporary painting. Finally, it is the conclusion of the big problem that the spirit of contemporary freehand brushwork for freehand brushwork can satisfy the traditional artistic expression form of pen and ink, after infiltrating into contemporary art, it synthesizes the thick and beautiful beauty of color and abstract deformation of modeling. Diversified the subject matter. In the use of color and modeling more freedom, pay attention to the artist's emotional expression. The reason is that freehand brushwork is traditional and contemporary.
【学位授予单位】:华中师范大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J212

【参考文献】

相关期刊论文 前1条

1 何颖;;现代重彩画的发展格局与成因[J];艺术教育;2007年04期



本文编号:1874428

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