传统皴法在现代山水画中的形式转化

发布时间：2018-05-11 16:05

本文选题：皴法 + 转化　；参考：《中国美术学院》2013年硕士论文

【摘要】：古代山水画皴法的演变和发展,到成熟完善,是先人在师自然的同时,不断的对绘画本体语言的开拓营造和探究实践的结果,历代皴法语言的演变和转化,谱写了一部波澜壮阔的中国山水画皴法史；在中国山水画历史长河中,不同文化背景下,各种新思想新观念的确立以及时代美学体系的更新发展,都影响着艺术作品的审美形式和新语言产生,不同的时代和自然观,必然产生不同风格的艺术家和艺术作品,他们的取法、立意、造境以及营构、用笔、用墨等都有不同的方式方法,从而产生了不同时代的皴法语言,这种文脉传承和演变一直延续至今,深入研究历代山水画皴法的产生和演变,对于我们当代深入认知传统,担当新时代山水画创作使命具有重大的启示作用。
[Abstract]:The evolution and development of ancient landscape painting chapping method, to maturity and perfection, is the result of continuous exploration and construction of painting Noumenon language as well as exploration and practice, and the evolution and transformation of the language of chapping method in successive dynasties. In the long history of Chinese landscape painting, under different cultural backgrounds, the establishment of various new ideas and new concepts and the renewal and development of the aesthetic system of the times, They all affect the aesthetic form and the production of new languages in works of art. Different times and views of nature are bound to result in different styles of artists and works of art. Their methods, ideas, environment, construction, use of pen, There are different ways and means to use ink and so on, thus producing different texturing language of different times, this kind of context inherits and evolves all the time to this day, deeply study the generation and evolution of landscape painting chapping method in the past dynasties, for our contemporary deep cognitive tradition, It has great enlightening function to take on the mission of landscape painting creation in the new era.
【学位授予单位】：中国美术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

【共引文献】