小幅水彩画之我见

发布时间：2018-05-12 06:50

本文选题：小幅水彩 + 特点　；参考：《湖南师范大学》2014年硕士论文

【摘要】：古语有云：一花一世界,一木一春秋。真正优秀的作品往往都是以小见大,老子的《道德经》如此,爱因斯坦的《相对论》也是如此,德国伟大的艺术家丢勒的水彩画《野兔》也有着异曲同工之妙。作为水彩画故乡的英国,在水彩画发展的历史长河中创造了数不胜数的优秀小幅水彩作品,在整个艺术史上夺人眼球。在国内,以李剑晨等为代表的老一辈水彩画家,早年留学国外,受西方影响,水彩画也以小幅居多,但在当今的社会氛围下,水彩画展览却出现了以大为好的现象,大而空洞的大幅水彩画,远不如小而精致的小幅水彩画那样令人信服。小而精致的小幅水彩画能够存在至今,主要构成原因有三：首先,由于画幅较小,绘制时间较短,画面简洁概括,可作为大幅画作的创作草图,而同时又具备了相机拍摄素材照片无法比拟的优势；其次,小幅水彩画相对比较容易控制,可以画的既自然、又生动,极具现场感,具备了大幅水彩画没有的优势；再次,工具材料相对简便,技法相对简单,适合没有经过正规造型训练设计专业学生进行效果图的绘制,受到高校设计教学的青睐,有着得天独厚的学习需求群体；最后,经济基础决定上层建筑,随着中国经济的不断腾飞,中国中产阶级不断崛起,很多的公众以及私人场所需要装饰,小幅水彩比大幅水彩在尺寸价格方面更容易被人们接受,有很大的市场发展前景。小幅水彩画的存在有着重要的意义。作为绘画作品,小幅水彩画在很多的展览上并不多见,除了极个别的专题展览,取而代之的是大开的幅水彩画,但小幅水彩有着自身得天独厚的优势以及实际的社会需求,我相信,只要我们把小幅水彩画创作、教学和市场需求的路子结合,坚持走下去,以高校教学需要和中产阶级装饰家庭需要作为“大地”,中国小幅水彩画必定能在这片肥沃的土地上越发的茁壮成长。
[Abstract]:There is an old saying: a flower a world, a wood a spring and autumn. The truly good works are often seen as a whole in a small part, so is Laozi's the Book of Ethics, so is Einstein's Theory of Relativity, and the great German artist Deller's watercolor painting, Hare, has the same workmanship. As the hometown of watercolor painting, England has created countless excellent small watercolor works in the history of watercolor painting development, which has caught people's eye in the whole art history. At home, the older generation of watercolor painters, such as Li Jianchen, studied abroad in the early years, were influenced by the West, and watercolor paintings were mostly small. However, in the present social atmosphere, the watercolor painting exhibition has shown a very good phenomenon. Large and hollow large watercolor painting, is not as small and exquisite small watercolor as convincing. There are three main reasons for the existence of small and delicate watercolor paintings: first, because of their smaller size, shorter drawing time and succinct summary of the picture, they can be used as sketches for large scale paintings. At the same time, it has the advantage that the camera can't take the material photograph. Secondly, the small watercolor painting is relatively easy to control. It can be painted naturally, vividly, and has a sense of scene. It has the advantage that large watercolor painting does not have. The tool material is relatively simple, the technique is relatively simple, is suitable for the drawing of the effect map without the formal modeling training and design major, is favored by the university design teaching, has the unique study demand group; finally, The economic base determines the superstructure. As China's economy continues to take off and China's middle class continues to rise, and many public and private places need to be decorated, a small watercolor is more acceptable in terms of size and price than a large watercolor. There is a great prospect of market development. The existence of small watercolor painting is of great significance. As painting works, small watercolor paintings are rarely seen in many exhibitions. In addition to a few special exhibitions, they are replaced by large watercolor paintings, but small watercolors have their own unique advantages and actual social needs. I believe that as long as we combine small watercolor creations, teaching and marketing needs, stick to the needs of colleges and universities and the middle-class decoration of the family needs as the "earth." Chinese small watercolor painting is sure to grow stronger and stronger in this fertile land.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J215

【参考文献】