壁画在中国现代建筑设计中的应用研究

发布时间：2018-05-12 11:37

本文选题：壁画 + 建筑性　；参考：《北京工业大学》2013年硕士论文

【摘要】：从人类伊始，人们就开始了在露天的岩壁和居住的洞窟里刻画壁画，直至今天，人们亦然在建筑设计中延续着丰富多彩的壁画艺术。壁画存在的意义、目的、功能、发展，在全世界应该是类似的，只是由于文化背景的不同，而导致形式语言的不同；因为经济、政治、科技水平的差距及建筑职能与空间环境的不同而导致壁画应用的差异。中国是世界壁画艺术的发源地之一，中国壁画是灿烂的东方文明的典型标志。壁画在中国建筑设计中的应用有着悠久的历史，但多因在石窟、墓室、寺观、宫殿等特定的古代建筑中应用而备受瞩目。壁画在中国现代建筑设计中的应用，面对的是全新的现代建筑，不可能套用传统建筑与壁画所形成的定式。然而，现有壁画在中国现代建筑设计中的应用又没有全面、系统的理论研究作参考。壁画在中国现代建筑设计中存在着功能、形式较单一，文化针对性较弱等应用问题。从壁画在中国存在的问题出发，，壁画的应用要考虑形式法则、文化呼应及一体化设计的加入，并从壁画位置、主题、材料、造型、大小、色调、安装等元素的设计中寻求壁画应用的方法。本论文运用纵向联系与横向对比，结合文献资料、现场考察、实例分析等方法，通过研究壁画在中国古代与现代、室外与室内的应用发展历程，重点分析了中国现代建筑设计对壁画的影响以及壁画应用的中心要素。从壁画在制作方法、功能内容、造型语言上的分类及各分类壁画与建筑的关系出发，分析总结出壁画在中国现代建筑设计中应用存在的问题。本文意在综合壁画应用的中心要素与壁画应用存在的问题，提出壁画应用的三个原则：形式共通原则、文化呼应原则、设计一体化原则。在对壁画应用的三大原则深入分析的基础上，提出壁画的设计与应用方法。
[Abstract]:From the beginning of human beings, people began to paint murals in the rock walls and caves in the open air, and until now, people have continued the rich and colorful mural art in the architectural design. The meaning, purpose, function and development of murals in the world should be similar, only because of different cultural backgrounds, leading to different formal languages; because of economics, politics, The difference of the level of science and technology and the difference of building function and space environment lead to the difference of mural application. China is one of the birthplaces of mural art in the world. The application of murals in Chinese architectural design has a long history, but has attracted much attention for its application in caves, tombs, monasteries, palaces and other specific ancient buildings. The application of mural painting in Chinese modern architectural design is faced with new modern architecture, and it is impossible to apply the formula formed by traditional architecture and mural painting. However, the application of mural paintings in Chinese modern architectural design is not comprehensive, systematic theoretical research for reference. There are some problems in the application of mural painting in Chinese modern architectural design, such as its function, its single form and its weak cultural pertinence. In view of the problems existing in the murals in China, the application of murals should consider the rules of form, cultural echo and the integration of design, and from the mural position, theme, material, modeling, size, tone, In the design of elements such as installation, the method of application of murals is sought. This paper uses the methods of longitudinal connection and horizontal contrast, combined with literature, on-the-spot investigation and case analysis, to study the application and development of murals in ancient and modern China, outdoor and indoor. The influence of Chinese modern architectural design on murals and the central elements of mural application are analyzed. This paper analyzes and summarizes the problems existing in the application of murals in modern architectural design in China, starting from the classification of mural in production method, functional content, modeling language and the relationship between each kind of mural and architecture. This paper aims at synthesizing the central elements of mural application and the problems existing in mural application, and puts forward three principles of mural application: the principle of common form, the principle of cultural echo and the principle of integration of design. Based on the analysis of the three principles of mural application, the design and application method of mural are put forward.
【学位授予单位】：北京工业大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J218.6;TU-851

【相似文献】