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齐白石和毕加索笔下的现实世界之比较

发布时间:2018-05-12 12:25

  本文选题:齐白石 + 毕加索 ; 参考:《河南大学》2013年硕士论文


【摘要】:齐白石和毕加索是上个世纪伟大的艺术家,他们为后人留下了宝贵的艺术财富。这两个有自己独特艺术风格的画家,用画笔为我们描述了东西方两种截然不同的世界。他们都是在学习研究传统绘画的基础上,摸索形成了自己的风格。在艺术的道路上,毕加索和齐白石并不是一帆风顺的,他们都有低沉期,他们的绘画作品都曾经被外界否定。即便如此,这两位艺术大师本着对艺术执着的热爱与疯狂的追求,最终都在画坛上独树一帜。 齐白石从小家境贫寒,长大之后才有机会接触到绘画艺术。此后由于他对中国传统绘画的热爱,通过多年的努力,几经变化自己的创作手法,形成了独特的艺术语言,描绘出朴实的现实世界。毕加索的父亲是美术学校的教师,他从小是在有艺术氛围的家庭中成长,受到过良好的艺术熏陶。他对艺术有自己独到的见解,反对学院派的束缚,主张用个性化的艺术语言,为观众呈现出一个与众不同的精彩世界。 齐白石和毕加索在艺术创作的选题上有着相似之处。他们的素材都来源于生活,是身边熟知的人物和事物。这些事物通过他们独特的艺术表达形式,达到不一样的艺术效果。齐白石衰年变法形成“红花墨叶”画派,毕加索开创了立体主义画派,他们都为艺术的发展做出了贡献。齐白石和毕加索对待艺术都充满着热情,然而他们的艺术追求却是全然不同的。齐白石向往的是和谐美好的美,而毕加索追求的是粗狂原始的美。这两位艺术家的艺术追求各不相似,并且他们的艺术特征都具有鲜明的个性,这也是他们立足于世界艺术之林的主要因素。齐白石和毕加索都主张学习传统,,在传统的基础上寻求创新。他们没有重复前人的道路,齐白石是在前人的基础上出新,而毕加索是根据前人的艺术进行创新。 本文主要分为四个部分,第一部分先对齐白石和毕加索经历的现实世界进行了研究概括,并概述了两位艺术家的生长环境和社会文化环境。第二部分分析总结了两位艺术家生活的现实世界对他们性格的影响,进而在他们绘画方面的表达形式产生的影响。第三部分比较分析了齐白石和毕加索对现实世界不同的艺术思考和表达方式。此外本文还对比研究了不同和相同艺术题材在两位绘画大师笔下的不同表现。最后在第四部分探讨了齐白石和毕加索对后世的影响。
[Abstract]:Qi Baishi and Picasso were great artists of the last century. These two painters, with their own unique artistic style, use brushes to describe two different worlds between East and West. On the basis of studying and studying traditional painting, they all fumbled into their own style. Picasso and Qi Baishi were not smooth on the art road. They both had a period of depression and their paintings were once denied by the outside world. Even so, the two masters of art in the persistent love and crazy pursuit, eventually unique in the painting world. Qi Baishi grew up from a poor family and grew up to have access to the art of painting. Since then, because of his love of traditional Chinese painting, through many years of efforts, several changes in his creative techniques, formed a unique artistic language, depicting the real world of simplicity. Picasso's father is an art school teacher, he grew up in an artistic atmosphere in the family, has been good art edification. He has his own unique views on art, opposes the bondage of academicians, and advocates the use of individualized artistic language to present an extraordinary and wonderful world to the audience. Qi Baishi and Picasso have similarities in the choice of artistic creation. Their material comes from life, they are familiar with the people and things. These things achieve different artistic effects through their unique artistic expressions. The "Red Flower and Ink Leaf" school was formed by the reform of Qi Baishi's declining years, and Picasso created the Cubism School, which contributed to the development of art. Both Qi Baishi and Picasso are passionate about art, but their artistic pursuits are quite different. Qi Baishi yearns for the beauty of harmony and beauty, while Picasso pursues the primitive beauty of coarseness. The artistic pursuits of these two artists are different, and their artistic characteristics have distinct individuality, which is also the main factor of their standing in the world of art. Both Qi Baishi and Picasso advocate learning from tradition and seeking innovation on the basis of tradition. They did not repeat the previous path, Qi Baishi is based on the predecessor of the new, Picasso is based on the art of innovation. This paper is divided into four parts. The first part studies the real world experienced by Qi Baishi and Picasso, and summarizes the growing environment and social and cultural environment of the two artists. The second part analyzes and summarizes the influence of the real world of the two artists' life on their character, and then on the expression of their painting. The third part compares Qi Baishi and Picasso's artistic thinking and expression of real world. In addition, this paper contrasts and studies the different performance of different and the same art subject matter in the works of the two masters of painting. Finally, in the fourth part, we discuss the influence of Qi Baishi and Picasso on later generations.
【学位授予单位】:河南大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J205

【共引文献】

相关期刊论文 前6条

1 罗小戍;;学院派玻璃艺术中的立体主义倾向[J];美术大观;2008年04期

2 苏洋;;毕加索艺术风格探究[J];美与时代(中);2013年08期

3 王文灏;《格尔尼卡》的形式与意蕴[J];齐鲁艺苑;2004年01期

4 吴玉苗;;论卞之琳诗歌的立体主义特征——以《水成岩》为例[J];青年文学家;2013年05期

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6 李魁;;毕加索的创造性人格[J];艺术教育;2012年08期

相关硕士学位论文 前10条

1 苏翠虹;后印象主义绘画语言中简约特征的研究[D];广西师范大学;2011年

2 杨天婴;现代绘画对现代设计的引导——从古典情怀到机器之美[D];南京师范大学;2003年

3 虞英;从现代艺术视野阐释建筑设计过程的非定式思考 [D];江南大学;2004年

4 王文灏;《格尔尼卡》的形式与意蕴[D];山东师范大学;2004年

5 刘莹;早期现代主义艺术研究[D];山东大学;2008年

6 郭雯;精神与存在[D];中国艺术研究院;2010年

7 陈梅;天真与纯情[D];曲阜师范大学;2012年

8 孙霁;西方绘画中时间因素的隐蔽与显现[D];陕西师范大学;2012年

9 王云菲;勒·柯布西耶的绘画与建筑关联性研究[D];沈阳建筑大学;2012年

10 侯欣;解读塞尚[D];青岛科技大学;2012年



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