当代抽象性漆画艺术语言研究

发布时间：2018-05-18 07:50

本文选题：当代漆画 + 抽象艺术　；参考：《太原理工大学》2017年硕士论文

【摘要】：1984年全国第六届美展漆画正式以独立画种走进中国画坛,随着当代漆画艺术的发展,越来越多的漆画作品逐渐摆脱了原先依附借鉴于其它画种的表现形式,漆画创作者们开始探索属于自己的道路,无论是从作品内涵、形式,还是材料的运用上,都不满足于既定的程式,开始大胆追寻意境、情趣的再创造,由此,创作者们转向了关于抽象表现形式的创作。漆画在当代艺术语境中对客观世界的描绘,包括以自然风景和人物画为主要内容的作品明显锐减,以无特定形式的抽象表现类漆画作品骤增为主要趋势。基于这种情况,本文首先从宏观的角度对当代中国抽象性漆画的发展现状进行了概括,从抽象性漆画的相关概念解析出发,对何为“抽象艺术”,何为“当代漆画”进行了阐释,然后在论文中对抽象性漆画的发展进程进行了一个归纳总结。中国当代漆画初创于二十世纪三、四十年代,且成型于二十世纪五十年代至七十年代,发展壮大则是在二十世纪八十年代以后。本文中通过对中国现代文献集以及其他史料的分析,现代我国所呈现出的最初的抽象形式漆画作品在其表现形式上极大地受到了越南磨漆画的影响,比如1966年吴川创作的漆画作品《晒谷场黄昏》,因越南磨漆画《西北的黄昏》给他留下非常深刻的印象。本文的创新之处在于分别从符号学、图像学、叙事学的角度更深层次地研究分析了当代抽象性漆画艺术语言的特征及其价值。最后,本文将一些历年来在全国范围内举办过的漆画展览中所含括的抽象性漆画之数量进行详细统计,更深入的探析论证了抽象性漆画艺术在现代社会发展进程中所处的地位,根据具体数据推测其未来发展趋势之变化。
[Abstract]:With the development of contemporary lacquer painting art, more and more lacquer painting works gradually get rid of the forms of expression which were used for reference to other kinds of paintings, with the development of the art of lacquer painting in 1984, the sixth National Art Exhibition formally entered the Chinese painting world as a kind of independent painting. Lacquer painting creators began to explore their own way, whether from the content of the work, form, or the use of materials, are not satisfied with the established program, began to bold pursuit of artistic conception, re-creation of interest, thus, The creators turned to the creation of abstract forms of expression. In the context of contemporary art, lacquer painting depicts the objective world, including the works with natural scenery and figure painting as the main content, and the sudden increase in the number of lacquer paintings with no specific form of abstract representation. Based on this situation, this paper firstly generalizes the present situation of abstract lacquer painting in contemporary China from a macro perspective, and analyzes the relevant concepts of abstract lacquer painting, and discusses what is "abstract art". What is the contemporary lacquer painting is explained, and then the abstract lacquer painting development process is summarized in the paper. Chinese contemporary lacquer painting was founded in the 1930s and 1940s, formed in the 1950s and 1970s, and developed after the 1980s. Based on the analysis of the collection of modern Chinese documents and other historical materials, the original abstract form of lacquer painting presented in modern China has been greatly influenced by the paintwork of Vietnam in its form of expression. Wu Chuan's 1966 lacquer painting Sunshine Twilight, for example, was impressed by Vietnam's paint painting, Northwest Twilight. The innovation of this paper lies in the deeper research and analysis of the characteristics and value of contemporary abstract lacquer painting art language from the perspectives of semiotics, graphology and narratology. Finally, this paper makes detailed statistics on the number of abstract lacquer paintings included in the exhibition of lacquer paintings held throughout the country over the years, and further analyzes and demonstrates the position of abstract lacquer painting art in the development process of modern society. According to the specific data extrapolated its future development trend change.
【学位授予单位】：太原理工大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J213.9

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