浅论明人山水画中园林、书斋化的人文情怀

发布时间：2018-05-18 14:05

本文选题：明人山水 + 园林画　；参考：《中国美术学院》2014年硕士论文

【摘要】：明人山水画在中国绘画史上有着重要的意义,画家寄情于山水园林,追求天然、高逸、雅致的生活品味与意境,对于书斋、书画、用具等都有极高的要求与理解,创作出了许多流传于世的优秀作品,这些作品不仅有极高的笔墨功底,而且也记录了画家的生活情趣。文人于书斋寄托自己的情怀,经营着书斋之中的布置与外部之环境,在悠闲的书斋化生活中透过书斋的规划,深藏着中国古代文人的心路与人文精神。明代造园大盛,因此园林书斋等元素经常出现在明人的绘画作品中,其包含了画家对于除笔墨造诣以外的诸多修养,书斋中的各种陈设如画中的一草一石,都需要画家去经营,画家设计经营了园林与书斋,又绘诸于图画,记录了这一高雅的生活方式,大到园林的叠石理水,小到书桌上的案头陈设都成为了绘画的对象,深入的去探究这些物象也可以理解为“师造化”的一个方面。本论文旨在以明人山水画中的书斋陈设,如文玩、家具等为例来论证绘画与其他门类艺术的联系,剖析其相互影响的各个方面。解析明代文人士大夫的审美特征、绘画特点,论述明人造园的理论与人文艺术精神以及其天人合一的自然观,从绘画中考证画家书斋化的人文情怀,及明人书斋化的生活方式对今人的启迪。
[Abstract]:In the history of Chinese painting, people's landscape painting in Ming Dynasty is of great significance. Painters send their feelings to landscape gardens, pursue the natural, elegant and elegant taste and artistic conception of life, and have very high requirements and understanding for the study, painting and calligraphy, appliances, etc. Many outstanding works have been created, which not only have a very high foundation, but also record the life interests of painters. The literati trust their feelings in the study, manage the arrangement and the external environment in the study, and through the planning of the study in the leisurely life of the study, the ancient Chinese literati's mind and humanistic spirit are deeply hidden. In the Ming Dynasty, gardening and other elements, such as garden studies, often appeared in the paintings of Ming people, which included a great deal of self-cultivation in addition to the ink and pen attainments of the painters, and the various furnishings in the study, such as painting, needed painters to manage. The painter designed and operated gardens and study rooms, and painted them in pictures, documenting this elegant way of life, ranging from the stonework of gardens to the tabletop furnishings on desks as objects of painting. To explore these objects in depth can also be understood as an aspect of "teacher creation". The purpose of this paper is to illustrate the relationship between painting and other kinds of art and to analyze each aspect of the interaction between painting and other kinds of art by taking the study furnishings such as play and furniture in the landscape painting of Ming Dynasty as an example. This paper analyzes the aesthetic characteristics and painting characteristics of literati and officials in the Ming Dynasty, discusses the theory of gardening and the spirit of humanity and art of Ming Dynasty, and its natural view of the unity of nature and man, and proves the humanistic feelings of the painter's study and Zhai from the painting. And the enlightenment of the life style of the Ming people to the present people.
【学位授予单位】：中国美术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

【共引文献】