浅谈中国画题款艺术

发布时间：2018-05-18 19:31

  本文选题：中国画题款 + 传统艺术　； 参考：《南京艺术学院学报(音乐与表演版)》1980年01期

【摘要】：正 中国画的题款,是我国民族艺术的一大特色,在世界绘画中也是别开生面的。晋代画家顾恺之所作《洛神赋图卷》是中国画史上留下的绘画名迹,是诗画结合的较早典范。宋以后由于文人画的兴起和倡导,题款已成为一种普遍的现象,诗词题跋通过书法直接进入画面,画之不足,题以充之,触景生情,追写画外之意;借题发挥,尽抒胸中之气。到清代题画盛行,“扬州八家”尤为擅长,几乎无画不题,无题不妙,而且一题再
[Abstract]:The title of the Chinese painting is a major feature of Chinese national art. It is also unique in the world painting. Gu Kaizhi, a painter of the Jin Dynasty, is a painting name left in the history of Chinese painting. It is an early example of the combination of poetry and painting. After the Song Dynasty, the rise and advocacy of the paintings of literati have become a common phenomenon. The words and postscript enter the picture directly through calligraphy, the deficiency of the painting, the question is filled with the title, the scene of life, the intention of writing out of the painting, and the expression of the Qi in the chest. In the Qing Dynasty, the eight families of the Qing Dynasty are especially good at, almost no problem, no problem, no problem, and one problem again
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