浅析中国传统绘画的“非遗”性

发布时间：2018-05-21 19:21

本文选题：传统国画 + “非遗”　；参考：《中国美术学院》2013年硕士论文

【摘要】：中国传统绘画,源远流长。经历数千年的发展,一代又一代的画家将“中国画”优秀传统不断完善、丰富、革新和发展,创造了具有鲜明民族风格的丰富多彩的形式手法,使之形成了独具中国意味的绘画语言体系。尽管她还不属于人类非物质文化遗产(简称“非遗”),但她内在的、本质的、中华民族特有的美学思想、审美情趣、笔墨语言、表现形式等,都具备了“非遗”之性质。更有已列入人类“非遗”的、与她并称“四绝”的书法和篆刻,以及她赖以“生存”的“文房四宝”……,也都佐证了她的“非遗”性。面对当今的“现代化”、“新理念”,中国传统绘画何去何从?中国画之“中国精神”是传承还是遗弃?是否要守住中国画“底线”?……这都是每位中国画画家不可回避的问题。本文试以“非遗”的角度思考、探析中国传统绘画的传承与发展、传统与创新等问题。
[Abstract]:Chinese traditional painting has a long history. After thousands of years of development, generation after generation of painters have constantly perfected, enriched, innovated and developed the excellent tradition of "Chinese painting", and created rich and colorful methods of form with distinct national styles. It formed a unique Chinese language system of painting. Although she does not belong to the intangible cultural heritage of human beings (referred to as "non-heritage" for short), her intrinsic, essential, Chinese unique aesthetic thought, aesthetic taste, pen and ink language, form of expression and so on, all have the nature of "non-inheritance". Moreover, the calligraphy and seal cutting, which have been included in the "non-posthumous" of human beings, and the "four treasures" on which she depends on "survival" also prove her "non-legacy" nature. In the face of today's "modernization" and "new ideas", where does Chinese traditional painting go? Is the "Chinese Spirit" of Chinese painting inherited or abandoned? Whether to keep the "bottom line" of Chinese painting. This is every Chinese painting painter can not avoid the problem. This paper tries to analyze the inheritance and development, tradition and innovation of Chinese traditional painting.
【学位授予单位】：中国美术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

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