中国当代水彩多元化发展

发布时间：2018-05-22 13:29

本文选题：中国当代水彩 + 艺术教育　；参考：《湖北美术学院》2017年硕士论文

【摘要】：中国的当代艺术从1985年以后开始发展到至今。在全球化的背景下,各国之间的交流越频繁,无论是主动的去交流或是被动的受到西方文化的影响。中国的当代艺术都在探索中前行与发展,中国也产生了一些对全球艺术界有影响的艺术家。但我们发现,水彩艺术家的影响力在整个中国当代艺术语境下显的较小。抛开中国当代水彩艺术的影响力。当我们看到中国当代水彩不同时期的作品时,可以发现我国的水彩有自己的特色与优势。水彩画与油画都是由西方引入,但是我们的水彩即拥有传统水彩画的特点又吸取了中国画的一些笔法,在艺术语言上是很丰富的。但同时,我们会发现,水彩画的多元性发展是有所缺失的。从创作题材上而言,我们透过当代的水彩艺术展可以看到,有些题材重复较多,水彩艺术作品在表现当代性与时代性上较缺乏。客观来讲,经济、政治、文化、生活的一切变化,我们在水彩作品中看到的不是特别多。虽然这些年来,这些现状有所改变,但是若想让水彩艺术融入整个当代市场且呈现出更多元化的姿态,我们仍需做出努力。所以本篇论文,我以整个中国当代艺术的环境为背景,在了解中国当代水彩发展的优势和不足中探讨如何从艺术教育、美术批评、艺术家的思考角度等方面推动中国当代水彩的多元化发展。
[Abstract]:Chinese contemporary art has developed from 1985 to now. In the context of globalization, the more frequent the communication between countries, whether active to communicate or passively influenced by Western culture. Chinese contemporary art is moving forward and developing in the process of exploration, and China has also produced some artists with influence on the global art circle. However, we find that the influence of watercolor artists in the context of contemporary Chinese art is relatively small. Cast aside the influence of Chinese contemporary watercolor art. When we see Chinese contemporary watercolor works in different periods, we can find our watercolor has its own characteristics and advantages. Watercolor painting and oil painting are both introduced by the West, but our watercolor has the characteristics of traditional watercolor painting and some strokes of Chinese painting, which is very rich in artistic language. But at the same time, we will find that the diversity of watercolor development is missing. From the creative subject, we can see through the contemporary watercolor art exhibition, some subjects repeat more, watercolor art works in the performance of the contemporary and the times are relatively lacking. Objectively speaking, all the changes in economy, politics, culture and life, we see not very much in watercolor works. Although these conditions have changed over the years, we still need to make efforts to integrate watercolor art into the entire contemporary market and take on a more diversified stance. Therefore, in this paper, I take the environment of the whole contemporary Chinese art as the background, in understanding the advantages and disadvantages of the development of contemporary watercolor in China, I discuss how to discuss the art education, art criticism, The angle of thinking of artists promotes the diversified development of contemporary watercolor in China.
【学位授予单位】：湖北美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J215

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