叙事性绘画：从客观叙事到心灵叙事

发布时间：2018-05-22 17:30

本文选题：叙事性 + 客观叙事　；参考：《鲁迅美术学院》2017年硕士论文

【摘要】：叙事作为人类最普遍、最基本的习惯、需求、兴趣、交流方式甚至本能,早在人类童年时期就存在了,是与人类历史共同产生的,无处不在,任何艺术类型和材料都适于叙事。它存在于神话传说、寓言故事、小说史诗、悲喜剧、哑剧、绘画中;存在于电影、新闻、谈话甚至墙壁绘画中。文学艺术中的叙事,历史上一直占据着举足轻重的地位,本人正在着手研究的叙事性绘画即是其中重要的一项,本文旨在探寻这类画作的继承与创新、在今天的出路等问题。本文主要分为三个部分:第一部分,总结了传统写实类叙事性绘画的兴衰过程,得出它们在照相机发明后尤其是在新哲学、文化、文艺思潮风起云涌的现代社会必然盛极而衰的结论;第二部分,概述了叙事性绘画在当代的发展现状,进而倡导适应时代发展的更为新鲜独特的叙事性绘画----既有别于非叙事性绘画的抽象性、装饰性和过于极端的形式化,也不同于传统叙事性绘画的直白写实甚至照相化,即:从客观叙事到心灵叙事;第三部分,由创作实践入手,着重从题材选择、思想内涵、角色与细节、空间布局几个方面论述了新型叙事性绘画的探索与创新,以及画面的氛围、色彩配比等具体的实践问题。总之,本文意在探讨叙事性绘画如何才能更符合今天的审美需求,吸纳传统精华,又完全是新鲜的现代风格和现代气派。
[Abstract]:As the most common and basic habit, need, interest, communication mode and instinct of human beings, narration exists as early as human childhood and is produced together with human history. It is ubiquitous, and any art type and material are suitable for narration. It exists in myths and legends, fables, epic novels, tragicomedy, mime, painting; in movies, news, conversation and even wall painting. Narration in literature and art has been playing an important role in history. The narrative painting that I am studying is one of the most important. This paper aims to explore the inheritance and innovation of this kind of painting and the way out of it today. This paper is divided into three parts: the first part summarizes the rise and fall process of traditional realistic narrative painting, and finds out that after the invention of camera, especially in the new philosophy, culture, In the second part, the author summarizes the development of narrative painting in contemporary times. And then advocate a more fresh and unique narrative painting adapted to the development of the times, which is not only different from the abstract, decorative and too extreme formalization of non-narrative painting, but also different from the directness, realism and even photography of traditional narrative painting. That is, from objective narration to spiritual narrative, the third part, starting with creative practice, focuses on the exploration and innovation of new narrative painting from the aspects of subject selection, ideological connotation, role and detail, space layout, etc. As well as the atmosphere of the screen, color matching and other specific practical problems. In a word, this paper intends to explore how narrative painting can meet the aesthetic needs of today, absorb the traditional essence, and completely fresh modern style and modern style.
【学位授予单位】：鲁迅美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J205

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