石涛兰竹画风格流变及其对后世的影响

发布时间：2018-05-24 17:50

本文选题：石涛 + 兰竹画　；参考：《南京师范大学》2013年硕士论文

【摘要】：石涛是我国清初画坛最具影响力的画家之一。他的画笔意纵恣、奇肆豪放、不同时流、面貌多变,极具独创性。石涛久负盛名的绘画作品中,除山水画外,花鸟画中以兰竹画成就为最。本文试图研究石涛不同时期的兰竹画风格特点并总结其画风流变：早期主要为白描双钩一路,画面淡雅静穆；中期以墨笔为主,画面清峻挺拔,浑厚华滋；晚期以大写意水墨为主,笔墨纵恣,水墨淋漓。之后笔者试图探寻石涛每个时期兰竹画风格特点背后的理论支撑,即石涛的绘画创作观对其兰竹画的指导：早期主要以兼师造化与传统为主,中期是从“我自用我法”到“不立一法”、“不舍一法”的过渡,以及后期的“无法而法”观。最后,以郑燮为个例阐述石涛独特的画风和极具创造性的绘画思想对“扬州八怪”兰竹画产生的巨大影响。
[Abstract]:Shi Tao is one of the most influential painters in the early Qing Dynasty. His brushwork is unrestrained, varied, and original. Shi Tao's long-standing paintings, in addition to landscape painting, flowers and birds painting the most achievements in blue and bamboo painting. This paper attempts to study the characteristics of Shi Tao's style of orchid and bamboo painting in different periods and sum up the changes of his painting style: in the early stage, the painting was mainly composed of white drawing and double hook, the picture was elegant and quiet, the middle period was dominated by ink brushes, the picture was clear and steep and straight, and the painting was full of huazzi; In the late period with big freehand brushwork ink, pen and ink vertical, ink dripping. Then the author tries to explore the theoretical support behind the style characteristics of Shi Tao's orchid and bamboo paintings in each period, that is, Shi Tao's view of painting creation guides his blue bamboo painting: in the early stage, he mainly focused on the combination of teachers' creation and tradition. The middle period is the transition from "I use my own law" to "not making a law", "not to give up one law", and later "can not but law" view. Finally, taking Zheng Xie as an example, this paper expounds the great influence of Shi Tao's unique painting style and extremely creative painting thought on the orchid and bamboo paintings in Yangzhou.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

【参考文献】