论传统水墨人物画造型对现代动画造型的影响

发布时间：2018-06-01 22:54

本文选题：水墨人物画 + 动画造型　；参考：《西北大学》2013年硕士论文

【摘要】：中国水墨人物画造型“形”与“神”的关系阐述一脉相承,是水墨人物绘画的优秀传统,也成为水墨人物画造型的重要准则。随着历史的发展,尽管水墨人物画造型观也受到了西方绘画造型的影响,但这一准则到今天仍然具有现实的指导意义。动画造型作为一门综合性的艺术形式,动画创始人万籁鸣的提出,如何使动画作品具备无限的发展生命力,必须在本民族的传统艺术文化土壤里生根。对于中国动画造型设计处在探索时期的今天来说,动画造型设计的发展,要学习前人在民族文化中探索的精神。研究发现一方面水墨人物造型极为生动、准确,通过精妙与夸张的表现手法做到“以形写神”。另一方面近代水墨人物画其绘画语言汇通中西——既有水墨人物画夸张精炼的形象,明朗的色彩饱满匀称的构图又具装饰性,还融合有西方绘画写实手法的造型,使水墨人物画的线与西方素描达到高度统一。所以说,突显人物个性而又极富民族特色的水墨人物画具备动画造型形象。因此,本论文按照历史的脉络,选择了古代水墨人物绘画资料中的一些经典作品进行水墨人物造型分析。以此为切入点,挖掘出适用于动画造型创新的表现要素,并合理、有效地运用于动画造型创作中。探讨水墨人物画与中国动画片设计之间的联系和影响。
[Abstract]:The relationship between "shape" and "God" of Chinese ink figure painting is an excellent tradition of Chinese ink painting, and it has become an important criterion for the modeling of Chinese ink figure painting. With the development of history, although the concept of figure painting is influenced by western painting, it still has practical significance today. Animation modeling as a comprehensive art form, animation founder Wan Laiming put forward, how to make animation works have unlimited vitality, must take root in the traditional art and culture soil of our nation. For Chinese animation modeling design in the exploration period today, the development of animation modeling design, we should learn the spirit of exploration in national culture. The study found that, on the one hand, ink characters are very vivid and accurate. On the other hand, the painting language of modern Chinese ink figure painting is integrated with the Chinese and Western languages-both the exaggeration and refinement of the figure painting image, the well-proportioned composition of the bright color and the decorative nature of the composition, and the combination of the realistic techniques of western painting. So that the line of ink figure painting and Western sketch to achieve a high degree of unity. Therefore, to highlight the personality of the characters and rich in national characteristics of ink figure painting with animation image. Therefore, according to the historical context, this paper selected some classical works from the ancient ink painting materials to analyze the characters. With this as the breakthrough point, the paper excavates the expression elements suitable for animation modeling innovation, and applies it to animation modeling creation reasonably and effectively. This paper discusses the relationship and influence between Chinese ink figure painting and Chinese animation design.
【学位授予单位】：西北大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J218.7

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