明代宫廷画院建制机构“文华殿、仁智殿、武英殿”设置考辨

发布时间：2018-06-01 23:39

  本文选题：文华殿 + 仁智殿　； 参考：《美术学报》2016年05期

【摘要】：明代画院虽然延续宋代大概建制,吸收元代民间力量重组,但在二百多年的过程中一直处于"权且"状态,没有完全明确官方对于画院的制度确立。这样的政府态度和建制特征造成了很多史实的模糊,当然也为美术史研究提供了非常有趣的领域。对于明代三大殿的使用研究,便是从侧面窥看整个画院体系的运营状态,是对明代画院的基本认识。
[Abstract]:Although the Ming Dynasty painting Academy continued the Song Dynasty probably system, absorbed the Yuan Dynasty folk strength reorganization, but in 200 years process has been in the "power and" the state, has not completely clear the official to the painting school system establishment. This kind of government attitude and system feature has caused a lot of historical ambiguity, but also provides a very interesting field for the study of art history. The study on the use of the three main halls in Ming Dynasty is to see the operating state of the whole painting school system from the side, and is the basic understanding of the painting school of the Ming Dynasty.
【作者单位】： 苏州工艺美术职业技术学院;
【分类号】：J209.2
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本文编号：1966240