苏仁山绘画题跋研究

发布时间：2018-06-06 18:57

本文选题：苏仁山 + 题跋　；参考：《华中师范大学》2017年硕士论文

【摘要】：苏仁山(1814-1850)是清道光年间广东顺德的画家。他作品上的题跋以'大'、'满'、'杂'著称,笔触狂放不羁。表面看似儿童涂鸦般随意布置的绘画题跋,却包含了深刻且独特的内涵,是研究19世纪广东人物画史不可或缺的图像资料。本文分六章来探讨苏仁山的绘画题跋艺术。第一章对苏仁山所处的时代背景以及其绘画的产生做大致的勾勒;第二章对苏仁山绘画题跋文字的内容对象做分类归纳;第三章对苏仁山绘画题跋的文体、书体及署款用印情况进行分析;第四章对苏仁山绘画题跋的画面布局进行分类描述,包括题跋文字逼近画面,石头上、画中画上的题跋等多种特殊形式;第五章从题跋形式与内容等方面分析苏仁山绘画题跋可能受到的各种影响;第六章对苏仁山跋文中所体现的内心世界做深入探讨,便于进一步剖析苏仁山绘画题跋产生的心理动因。
[Abstract]:Su Renshan (1814-1850) was a painter in Shunde, Guangdong during the Qing Dynasty. The inscriptions on his works are famous for their unrestrained style. The seemingly random arrangement of painting postscript like children's graffiti contains profound and unique connotation and is an indispensable image material for the study of the history of Guangdong figure painting in the 19th century. This article is divided into six chapters to explore the painting of Su Ren Shan postscript art. The first chapter gives a general outline of the background of Su Renshan's era and the origin of his paintings; the second chapter classifies and induces the content objects of the postscript of Su Renshan's paintings; the third chapter summarizes the style of the postscript of Su Renshan's paintings. The fourth chapter classifies and describes the picture layout of Su Renshan's paintings, including many special forms, such as inscriptions approaching the screen, stone, pictorial postscript and so on. The fifth chapter analyzes all kinds of possible influences on Su Renshan's painting postscript from the aspects of the form and content of the postscript, and the sixth chapter deeply discusses the inner world embodied in Su Renshan's postscript. It is convenient to further analyze the psychological motivation of Su Renshan's painting postscript.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

【参考文献】