山水画哲学思想的精神传达

发布时间：2018-06-07 17:49

本文选题：儒 + 释　；参考：《东北师范大学》2014年硕士论文

【摘要】：中华民族的文化有着五千多年的悠久历史,期间逐渐形成了自身独特的思想意识结构,中国绘画艺术也在其特有的思维能动下孕育而生。在这漫长的发展历程下,山水画一直占有着举足轻重的地位。山水画作为中国绘画的一部分,在它的前行历程中开枝散叶,不断的成长。当然,作为山水画本身而言不是仅仅的只有表面的躯干而已还有内在的灵魂。在这片古老的土地上我们的祖先用他们的勤劳来播种、用他们的智慧来创造、用他们的思想来构造了这片精神乐土,这种精神的传达就好像灵魂与山水画如影随形,相辅相成。中国传统的哲学思想主要以儒、道两家的哲学体系为中流砒柱,兼以南北朝时渐入我国的佛教。作为古代思想的精髓被提出众多中国画画学理论,千百年来一直深深影响着中国山水绘画艺术。本篇论文主要以儒、释、道三家哲学理论来论述山水画独特的思想追求和精神传达。在受到西方艺术观念思想的冲击下当代中国山水画的发展已进入了一个新的时期。中国山水画也随着多元化的艺术格局而多元化。在这样的一个发展的前提下中国山水画己然站在一条十字路口上,当代山水画也因受到众多因素的影响而鱼龙混杂。艺术史既不能离开艺术作品,从风格造型和内容表现入手,中国画作品研究的终点当然也就是中国文化的思想史。中国山水画的表现不单单的只是从技法上入手还应该从哲学思想和精神层面去研究。西沐的《中国画当代艺术30年》中写到：“传统是一种文化精神的传递,而不是样式的流传,缺失文化精神的传统是一种腐朽的样式。"笔墨是传达思想和精神的媒介,没有精、气、神的山水就会想干枯的树干无法向下的继承和向上的发扬。
[Abstract]:The culture of the Chinese nation has a long history of more than five thousand years, during which its own unique structure of ideology has gradually formed, and the art of Chinese painting has also been conceived under its unique thinking. In this long process of development, landscape painting has been playing a pivotal role. Landscape painting as a part of Chinese painting, in the course of its branches and leaves, continuous growth. Of course, as landscape painting itself is not just the surface of the torso and the inner soul. In this ancient land, our ancestors sowed with their diligence, created with their wisdom, and constructed this spiritual paradise with their thoughts, which conveys the spirit like a shadow of soul and landscape painting. The traditional Chinese philosophy mainly takes the philosophy system of Confucianism and Taoism as the middle soft pillar, and the Buddhism gradually came into our country during the Southern and Northern dynasties. As the essence of ancient Chinese painting theory has been put forward, for thousands of years has deeply affected the art of Chinese landscape painting. This paper mainly discusses the unique ideological pursuit and spiritual transmission of landscape painting with three philosophical theories of Confucianism, Buddhism and Taoism. The development of contemporary Chinese landscape painting has entered a new period under the impact of western artistic ideas. Chinese landscape painting also with the diversification of the art structure and diversity. Under the premise of such a development, Chinese landscape painting stands at a crossroads, and contemporary landscape painting is mixed with each other because of the influence of many factors. Art history can not leave art works, starting with style modeling and content expression, the end point of Chinese painting works is, of course, the ideological history of Chinese culture. The performance of Chinese landscape painting should be studied not only in terms of techniques, but also in terms of philosophy and spirit. "tradition is the transmission of a cultural spirit," writes Ximu's "30 years of Contemporary Chinese painting". Instead of spreading the style, the tradition of missing the cultural spirit is a decadent style. " Pen and ink is the medium of conveying thought and spirit, without essence, Qi, God's mountains and rivers will want to dry trunk can not inherit and carry forward upward.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

【共引文献】