蔡志忠古籍漫画艺术研究

发布时间：2018-06-08 13:04

本文选题：蔡志忠 + 古籍漫画　；参考：《陕西科技大学》2013年硕士论文

【摘要】：“读图时代”的到来使得视觉文本在媒介发展下吸引着现代大众的眼球，漫画作为以图像信息为主的艺术形式符合了当下大众文化背景下的大众审美心理。漫画艺术由于各地区各时期的文化流变而呈现出不同的形态面貌，反映着人们的思维方式、大众审美等文化现象。如今现代故事漫画逐步取代传统讽刺漫画而占据着主要市场。而漫画艺术在以特定的语言形式为当下大众提供娱乐的同时，亦需要承载一定的人文信息与文化内涵，这不仅是漫画艺术本身在题材、社会功能等方面良性发展的内在需求，更是传统文化在当下获得再创造与大众化传播的重要途径。漫画乃至动漫艺术需要运用特定的语言形式在娱乐审美的同时，融入文化内涵，从而发挥漫画艺术的文化信息传播功能。蔡志忠的古籍漫画正是中国新漫画的发展中的一个成功范本。经典的中华古籍通过漫画语言的诠释，，以说明性的漫画叙事传达古人哲思，不仅弥合了大众的通俗文化与精英的传统文化，更是对漫画的艺术表现与社会功能的丰富与拓展。本文选取蔡志忠古籍漫画作为研究对象，恰是以这一创作范式为例，为后现代语境下传统文化与当代大众文化的有机结合找到成功的经验借鉴。本文从蔡志忠本人经历与艺术理念入手，在借鉴相关动漫艺术文本及研究成果的基础上，分别从美学相关理论的角度以及具体案例创作策略的角度，深入分析蔡志忠的一系列古籍题材漫画作品的风格、特点，探讨其在传统文化创新运用的方法论意义。首先，从美学内涵的角度，本文寻求蔡志忠古籍漫画文本与美学、接受美学等艺术理论相互碰撞的火花。漫画中人物形象、哲理的传达在蔡志忠的合理创新下形成读者对古籍的“陌生化”体验，在受众的阅读中，漫画改变着读者的认知，同时读者的审美过程亦是对漫画的再创作。其次，从漫画文本的语言要素来说，图像、文字、分格的叙事构成是蔡志忠古籍漫画美学内涵的具体体现，因此，本文亦对漫画创作中三个创作要素分别分析，寻找蔡志忠如何在漫画语言形式的运用中实现美学的内涵。通过对蔡志忠古籍漫画的研究，反观中国当下的漫画乃至动漫的发展现实，自上世纪八九十年代开始，中国漫画突破了传统漫画的题材、形式、社会功能等局限，形成中国新漫画的多样发展，并与动画一起形成一定的产业规模。立足当下，在产业繁荣的背后，漫画乃至动漫艺术在未来需要避免在内容上跟风、文化上照搬运用与创新上不力等问题，在多媒介甚至全媒体的传播语境下，更好发挥漫画乃至动漫艺术在民族文化的世界化传播的载体功能。
[Abstract]:The arrival of "the Age of Picture Reading" makes the visual text attract the attention of the modern masses under the development of the media. As an artistic form based on image information, comic book accords with the popular aesthetic psychology under the background of the mass culture. Due to the cultural changes in various regions and periods, comic art presents different forms and features, reflecting cultural phenomena such as people's way of thinking and aesthetic appreciation of the masses. Nowadays modern story comics gradually replace the traditional caricature and occupy the main market. While providing entertainment to the masses in specific language forms, comic art also needs to carry certain humanistic information and cultural connotations, which is not only the inherent demand of the benign development of comic art itself in the aspects of subject matter and social function, etc. It is also an important way for traditional culture to get re-creation and mass communication. Comics and even animation art need to use specific language forms in the entertainment aesthetic, at the same time, the integration of cultural connotations, Cai Zhizhong's ancient books and comics are a successful model in the development of new comics in China. The classical Chinese ancient books convey the ancient philosophy by means of illustrative cartoon narration, which not only bridges the popular culture and the elite traditional culture, but also enriches and expands the artistic expression and social function of the comic book. This paper chooses Cai Zhizhong's comics of ancient books as the object of study, taking this creative paradigm as an example to find a successful experience for the organic combination of traditional culture and contemporary popular culture in the post-modern context. This article starts with Cai Zhizhong's own experience and artistic idea, on the basis of drawing lessons from relevant animation art text and research results, respectively from the angle of aesthetics related theory and the angle of specific case creation strategy. This paper deeply analyzes the style and characteristics of Cai Zhizhong's series of comics on ancient books, and probes into the methodological significance of his application in the innovation of traditional culture. First of all, from the angle of aesthetic connotation, this paper seeks the sparks between Cai Zhizhong's comic book text and aesthetics, reception aesthetics and other art theories. Under the reasonable innovation of Cai Zhizhong, the characters' image and philosophy in comics formed the readers'"strangeness" experience to the ancient books. In the reading of the audience, the comics changed the readers' cognition, and the readers' aesthetic process was also the re-creation of the comics. Secondly, from the language elements of the comic text, the narrative composition of images, words and boxes is the concrete embodiment of Cai Zhizhong's aesthetic connotation of comics. Therefore, this paper also analyzes the three creative elements in comic creation. Find out how Cai Zhizhong realizes aesthetic connotation in the application of cartoon language form. Through the study of Cai Zhizhong's ancient books and comics, I look back at the current development reality of comics and even anime in China, beginning in the 1980s and 1990s. Chinese comics break through the limitations of traditional comics such as subject matter, form and social function, and form the diversified development of Chinese new comics, and form a certain industrial scale together with animation. Based on the present, behind the prosperity of the industry, comic books and even animation art in the future need to avoid problems such as following the trend in content, weak use and innovation in culture, and so on. In the context of multi-media and even the whole media, Better display cartoon and even animation art in the national culture of the spread of the carrier function.
【学位授予单位】：陕西科技大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J218.2

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