在传统中国画中赭石颜色的运用研究

发布时间：2018-06-08 22:01

本文选题：中国画 + 色彩　；参考：《深圳大学》2017年硕士论文

【摘要】：中国古代绘画常用红色、青色,故中国画最早被称作“丹青”,这也表明了色彩在中国绘画作品中具有极其重要的作用。从古至今,中国画从未脱离色彩的使用,并以充满中国特色的色彩形式和绘画模式充分地表达了中国艺术家的思想。色彩的应用方面,赭石作为贯穿整个中国画历史的色彩,对其进行深入的研究,有助于发现中国画色彩发展的规律,也为中国画创作提供用色方面的理论依据,进而推动了中国画的发展。本文以赭石色在中国画中的应用为主脉,首先探讨了古代画论和书籍中赭石的来源和研制过程。通过分析传统中国画中的人物画、山水画,以及壁画等形式的作品,研究赭石色在传统中国画中的使用状况,在此基础上,我们从浅绛山水、青绿山水和人物画的角度进一步分析和研究赭石色使用的特殊意义。传统中国画是笔墨和色彩的一种结合。赭石和墨色的结合具有相映成趣、清逸雅致的艺术效果,这种效果符合艺术家的审美思想。同时赭石的持续使用,与中国的自然环境和民族的特色有着紧密的联系,同西方色彩学中的三原色原理相比,这是传统中国文人画家审美观在艺术作品中的体现。对赭石的使用的深刻认识有助于加深理解画家的艺术表现形式,同时对传承独特的中国审美思想有重要的意义,希望本文对中国画的实际创作有一定的参考价值。
[Abstract]:Chinese ancient painting is often used in red and cyan, so Chinese painting was first called "Danqing", which also shows that color plays an extremely important role in Chinese painting. Since ancient times, Chinese painting has never been separated from the use of color, and has fully expressed the Chinese artist's thought with the color form and painting mode full of Chinese characteristics. In the application of color, ochre, as the color running through the whole history of Chinese painting, is helpful to find out the rule of color development of Chinese painting, and to provide theoretical basis for the use of color for the creation of Chinese painting. And then promoted the development of Chinese painting. Based on the application of ochre in Chinese painting, this paper first discusses the origin and development process of ochre in ancient painting theory and books. Through the analysis of traditional Chinese paintings in the form of figure painting, landscape painting, murals and other forms of work, the use of ochre in traditional Chinese painting, on this basis, we from the light crimson landscape, The point of view of green landscape and figure painting further analyzes and studies the special significance of the use of ochre. Traditional Chinese painting is a combination of pen and ink and color. The combination of ochre and ink has an elegant artistic effect, which accords with the artist's aesthetic thought. At the same time, the continuous use of ochre is closely related to the natural environment and national characteristics of China. Compared with the principle of three primary colors in western chromatics, this is the embodiment of the aesthetic standards of traditional Chinese literati painters in their works of art. The deep understanding of the use of ochre helps to deepen the understanding of the artistic form of the painter, at the same time, it is of great significance to inherit the unique Chinese aesthetic thought. I hope this article has certain reference value for the actual creation of Chinese painting.
【学位授予单位】：深圳大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

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