在工笔人物画创作实践中谈对“六法”的认识与理解

发布时间：2018-06-09 00:21

本文选题：创作实践 + 六法论　；参考：《西安美术学院》2013年硕士论文

【摘要】：对于当代中国工笔人物画的创作来说，如何真切表达面对鲜活的生命活动产生的感动，并且要延续工笔人物画这一古老画种艺术魅力，是继承与创新的协调关系。继承传统是文化的沿承，，创新是对现实的尊重。六法论是中国人物画的创作的核心要法，六法论作为人物画的创作指导具有历史和现实意义。本论文采用了美术学中的文献资料法，历史研究法与个案研究法，结合自己的创作实践论述了工笔人物画创作过程中对绘画语言、绘画形式的探索，谈自己对“六法论”的新认识、新体会。并试图将自己研究和总结的理论依据更好的应用到创作实践中去，同时也希望能揭示“六法论”这一传统中国画理论的现实意义。文章以自己的创作实践经验为主线，按照创作的步骤进行研究。第一部分为绪论。第二部分论述在当前文化语境下中国画的发展是在继承传统基础上的创新。从工笔人物画创作要义“六法论”入手，谈继承在中国人物画创作中的重要作用以及创新的必要性。第三部分结合对传统及现代工笔人物画作品进行绘画风格分析，说明艺术样式是随着时代的发展而改变的，绘画理论的延续也是不断发展的,从自己的作品《婚礼》的创作过程中对画面形式的构造、绘画语言的选择、画面效果的控制等实践活动，谈自己对六法的理解与运用，提倡弘扬传统艺术精髓,真诚对待传统精神、自我情感和客观现实。第四部分为结论。
[Abstract]:For the creation of contemporary Chinese meticulous figure painting, it is the harmonious relationship between inheritance and innovation that how to truly express the emotion produced by the fresh life activities, and to continue the charm of this ancient art of fine brushwork figure painting. Inheriting tradition is the inheritance of culture, innovation is respect to reality. The theory of six laws is the core of the creation of Chinese figure painting, and it is of historical and practical significance as the guidance of the creation of figure painting. This paper adopts the literature method, the history research method and the case study method in the fine arts, and discusses the exploration of the painting language and the painting form in the process of the fine brushwork figure painting creation in combination with own creation practice. Talk about oneself to "six laws" new understanding, new experience. The author tries to apply the theoretical basis of his own research and summary to the creative practice, and also hopes to reveal the practical significance of the traditional Chinese painting theory of "six laws". The article takes its own creation practice experience as the main line, carries on the research according to the creation step. The first part is the introduction. The second part discusses that the development of Chinese painting in the current cultural context is an innovation on the basis of inheriting tradition. This paper discusses the important role of inheritance in the creation of Chinese figure painting and the necessity of innovation. The third part analyzes the painting style of traditional and modern meticulous figure painting works, which shows that the artistic style is changing with the development of the times, and the continuation of painting theory is also constantly developing. From the practical activities such as the construction of picture form, the choice of painting language and the control of picture effect in the process of creating their own work "Wedding", this paper talks about their understanding and application of the six methods, and advocates carrying forward the essence of traditional art. Sincerely treat traditional spirit, self-emotion and objective reality. The fourth part is the conclusion.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

【共引文献】