民国初期女画家方君璧的艺术探究

发布时间：2018-06-10 01:50

本文选题：方君璧 + 中西融合　；参考：《广州大学》2017年硕士论文

【摘要】：西方油画艺术自20世纪大规模引进以来,已经有了一百年的历史。而在这次“西学东渐”中,方君璧也是第一批留学欧洲的女性油画家。同时,方君璧也是第一位考入国立法国巴黎高等美术学校的中国女学生,第一位参加巴黎春季沙龙的中国女画家。方君璧在中西画融合方面为中国油画做出了一份贡献,作为最早一批中西画融合的实践者,为后代艺术家的研究和创作提供了可借鉴的范例。这篇文章采用社会学、美学等多维视角研究和对作品对应分析梳理,论证方君璧中西融合艺术观的形成过程和实践意义。首先是对方君璧油画创作时代背景的研究——民国初期的留学热潮,新文化运动热潮和到欧洲游学时代为背景展开论述。其次,对方君璧艺术观的形成及变化进行剖析,从初步受欧洲写实思想和蔡元培的国学思想影响,到回国受“岭南画派”和“艺风社”的影响,促使方君璧这种中西画融合艺术观的形成。最后,对方君璧的作品进行分析,从绘画风格的转变分为了三个阶段,从初期传统学院派风格到受西方现代美术影响的转变,再到回国后开始真正接触中国画,并探讨中国画与西方绘画融合的画风转变。方君璧在中国油画史上为中西艺术融合做出了自己的一份小贡献。文章最后总结了方君璧艺术观对现代绘画及女性艺术的影响,并指出中西融合艺术观的确立不仅对方君璧本人的绘画创作起到了牵引作用,而且对我国现代绘画的创作和发展发挥了积极的作用。
[Abstract]:Western oil painting art has a history of 100 years since it was introduced on a large scale in the 20 th century. This time, Fang Junbi was the first female oil painter to study in Europe. At the same time, Fang Junbi is also the first Chinese female student admitted to the National higher School of Fine Arts in Paris, France, and the first Chinese female painter to attend the Paris Spring Salon. Fang Junbi made a contribution to the integration of Chinese and Western paintings. As the first batch of practitioners of the integration of Chinese and Western paintings, he provided an example for future generations of artists to study and create. This article uses sociology, aesthetics and other multi-dimensional perspectives to study and sort out the corresponding analysis of the works, and demonstrates the forming process and practical significance of Fang Junbi's integration of Chinese and Western views of art. The first is the background of the painting creation era-the upsurge of studying abroad in the early period of the Republic of China, the upsurge of the New Culture Movement and the era of traveling to Europe. Secondly, the formation and changes of the other side's monarch's art view were analyzed, from the influence of European realistic thought and Cai Yuanpei's thought of Chinese culture, to the influence of "Lingnan painting School" and "Art style Society" when returning to China. To promote the formation of Fang Junbi's art view of the combination of Chinese and Western paintings. Finally, the analysis of the works of the other gentleman divided into three stages from the change of painting style, from the early traditional academic style to the change influenced by western modern fine arts, and then to the real contact with Chinese painting after returning to China. And discusses the Chinese painting and the western painting fusion painting style transformation. Fang Junbi made his own contribution to the integration of Chinese and Western art in the history of Chinese oil painting. Finally, the article summarizes the influence of Fang Junbi's view of art on modern painting and female art, and points out that the establishment of the view of art integration between China and the West has not only played a leading role in the painting creation of the other monarch. Moreover, it has played an active role in the creation and development of Chinese modern painting.
【学位授予单位】：广州大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J213

【参考文献】