中国写意人物造型演变初探
发布时间:2018-06-10 13:26
本文选题:中国写意人物造型 + 自身发展规律 ; 参考:《福建师范大学》2013年硕士论文
【摘要】:中国写意人物造型艺术源远流长,形成了相对稳定且独具东方艺术特色的造型观念、造型手段、表现形式等,与西方艺术有着迥然不同的艺术风貌。20世纪开始,中国写意人物造型的发展面临着非常复杂的局面。首先,中国写意人物造型艺术在其自身发展规律的作用下,必然要面对其造型程式化倾向所带来的局限。其次,西方艺术伴随着西方略强的入侵,涌入中国。在浩浩荡荡的时代主流思潮的冲击下,中国人物画家纷纷展开如何借鉴西方艺术,改良中国写意造型艺术的探索。先辈们融合中西的艺术实践,使新时代的写意人物造型产生了某种带有脱胎换骨性质的变化,开始向现代化转型。最后,20世纪复杂多变的政治局势,也为写意人物造型的发展增加了扑朔迷离的色彩。本文以中国写意人物造型为切入点,以其自身的发展规律和不同时代的社会文化语境为结合点,阐释了中国写意人物造型在内外因的共同作用下所产生的一些演变。当代写意人物造型的创新,应该在秉持“意象造型”这一传统精髓与中国绘画基本造型语言的基础上,结合时代精神、适当借鉴融合其他艺术为其造型程式化的倾向注入新鲜的血液。同时,关注创作主体自身情感的表达及艺术个性化的追求。
[Abstract]:Chinese freehand brushwork plastic arts have a long history, forming a relatively stable and unique oriental artistic characteristics of the modeling concept, modeling means, forms of expression, and so on, and Western art has a very different artistic style from the beginning of the 20th century. The development of Chinese freehand brushwork is facing a very complicated situation. First of all, the Chinese freehand brushwork plastic arts must face the limitations of its stylized style under the action of its own development law. Secondly, Western art, accompanied by the invasion of the West, poured into China. Under the impact of the prevailing trend of thought, Chinese figure painters began to explore how to use western art for reference and improve the art of freehand brushwork in China. With the combination of Chinese and Western artistic practice, the early generation of freehand brushwork in the new era produced some changes with the nature of transformation, and began to transform to modernization. Finally, the complicated and changeable political situation in the 20th century also adds a complicated color to the development of freehand brushwork. This article takes the Chinese freehand brushwork character modelling as the breakthrough point, with its own development rule and the different times social culture context as the combination point, explained the Chinese freehand brushwork character modelling under the internal and external causes common action some evolution. The innovation of contemporary freehand brushwork modeling should be based on the traditional essence of "image modeling" and the basic modeling language of Chinese painting, combined with the spirit of the times. Appropriate reference to the integration of other arts for its stylized tendency to inject fresh blood. At the same time, it pays attention to the expression of creative subject's own emotion and the pursuit of artistic individuation.
【学位授予单位】:福建师范大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J212
【参考文献】
相关期刊论文 前2条
1 张运礼;;蔡邕的书法心理学思想浅论[J];河南社会科学;2006年05期
2 董艳伟;;宋朝审美文化对陶瓷工艺美术的影响[J];现代装饰(理论);2012年11期
,本文编号:2003373
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