民国时期都市美人图中的理与欲

发布时间：2018-06-10 19:05

本文选题：民国时期 + 审美取向　；参考：《伦理学研究》2017年02期

【摘要】：民国时期的都市美人图重塑了传统美人的形象,由过去女性含蓄内敛的形象流向于丰腴妩媚与健康自信。它不只是都市风情的浮华倩影,同时也浸染着民众享乐的性情欲望和道德观念。都市美人图的出现,形成了与之相关的价值取向的争论。由于它处于中西文化碰撞的特殊时期,其作为物质文化与精神文化的载体,不可避免地成为隐性消费的对象,并具有商业性和艺术性的双重审美取向,而如何从中协调共存,如何在雅俗共赏之时重新阐述都市美人图中理与欲的辩证关系,乃是本文探究的主题。
[Abstract]:During the period of the Republic of China, the urban beauty map reshaped the image of traditional beauty, from the implicit image of women in the past to plump charm and healthy self-confidence. It is not only a flashy figure of urban amorous feelings, but also imbued with people's desire for pleasure and morality. The appearance of urban beauty map has formed the argument of value orientation related to it. As a carrier of material culture and spiritual culture, it inevitably becomes the object of recessive consumption and has the dual aesthetic orientation of commercial and artistic. How to restate the dialectical relationship between reason and desire in the drawing of urban beauty is the theme of this paper.
【作者单位】：湖南师范大学美术学院;
【分类号】：J205;C913.68

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