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水墨画的塑造与书写性

发布时间:2018-06-11 11:56

  本文选题:中国水墨画 + 造型 ; 参考:《吉林大学》2013年硕士论文


【摘要】:水墨画是中国土生土长的艺术,它在中国文化的阳光雨露哺乳下成长,表现中国文化艺术精神、传达中国文化艺术内涵。水墨画,是中国绘画的代表,也就是狭义的国画,是中国独具特色的传统绘画之一,是用中国独有的毛笔,以水调墨、调色,画在具有渗化性能的生宣纸及其它吸水性较强的纸上的一种绘画,是在笔、墨、水综合运用下进行意象造型的画种,画面形象不拘泥于自然,讲究直抒胸怀。水墨画的书写性是自身丰富的形式之一,书写性的笔法之妙在于能使水墨艺术中的空灵、流变、通透韵味发挥的淋漓尽致。本文就水墨画的塑造与书写性的问题细述了造型、素描、空间在水墨塑造中结构与发展内容,,水墨画的书写性,以及线性特点和顺序性的描述对中国水墨画的的深远影响。 全文共分为四章: 第一章:主要阐述水墨画的塑造,水墨画中笔墨形象的塑造,对它的笔墨形象意识、形象结构与动态、形象的笔墨表现来一一论述。其次是对水墨画造型重要部分的阐述,分别从用笔、用墨的表现语言来讲解。同时把结构与造型之间的相互关系来说明,比如从古今中外画种或者笔墨结构造型来做阐述。 第二章:从造型中的素描与空间来阐述我对水墨画造型和书写性的观点。分别从素描与空间,素描与造型,空间与造型,素描、空间和造型之间的关系来一一阐述。 第三章:对水墨画书写性分四步来分析,1、书写性2、书写性的意义3、书写性的价值4、水墨画及书法中的线性特点。 第四章:是从书写性当中的线性特点,线性特点分为书法性和顺序性来讲,再从书法与造型设计之间关系来论述。
[Abstract]:Chinese ink painting is a native art of China. It grows up under the sunshine and dew of Chinese culture, expresses the spirit of Chinese culture and art, and conveys the connotation of Chinese culture and art. Chinese ink painting, which is the representative of Chinese painting, is one of the traditional Chinese paintings with unique characteristics. It uses Chinese unique brushes to adjust ink and color with water. A kind of painting on the paper with permeation performance and other paper with strong water absorption, is a kind of image modeling under the comprehensive use of pen, ink and water. The image of the picture is not restricted to nature and stresses straight expression of mind. The writing of ink painting is one of its rich forms. In this paper, the structure and development contents of ink and wash painting are described in detail, such as modeling, sketch and space, and the writing of ink painting. The paper is divided into four chapters: the first chapter: mainly expounds the creation of ink and ink in the ink painting, the image of the ink and brush, the image consciousness of the ink and brush, the paper is divided into four chapters: the first chapter is mainly about the creation of the ink and ink painting, the image of the ink and stroke in the ink painting, the image consciousness of the ink and brush painting. Image structure and dynamic, image of the pen and ink performance to discuss one by one. The second is the important part of ink painting, from the pen, ink to explain the performance language. At the same time to explain the relationship between structure and modeling, for example, from the ancient and modern Chinese and foreign painting or ink structure modeling to elaborate. Chapter two: from the shape of sketch and space to explain my views on ink painting modeling and writing. From sketch and space, sketch and modeling, space and modeling, sketch, The relationship between space and styling is expounded. Chapter three: to analyze the writing of ink and wash painting in four steps: 1, 2, 3, 4, 4, and the linear characteristics of ink and ink painting and calligraphy. From the linearity of writing, The linear characteristics are divided into calligraphy and sequence, and then discussed from the relationship between calligraphy and styling design.
【学位授予单位】:吉林大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J212

【参考文献】

相关期刊论文 前2条

1 马涛;浅谈水墨人物画及造形[J];美术大观;2005年09期

2 吴燕平;中国传统绘画的造型观念[J];美术观察;1997年12期



本文编号:2005112

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