修军版画艺术研究

发布时间：2018-06-11 15:15

本文选题：修军 + 版画艺术　；参考：《西安美术学院》2014年硕士论文

【摘要】：本文通过修军作品的图式分析，论述了“新兴木刻”、“长安画派”、“民间美术和汉唐艺术”对修军艺术风格的形成发展、艺术形式特点、及其形式背后暗藏的思想性。本文第一部分通过修军与李桦、古元二人的作品进行横向比较，分析了“新兴木刻”艺术，对修军艺术初级阶段的实践所产生的影响。阐述了修军追随鲁迅倡导“新兴木刻”思想精神，将艺术的“形式生命”与其生活观念高度统一，最终成为“新兴木刻”的成功践行着。本文第二部分依据修军本人创作的时间轴，重点列举分析了部分代表作品，阐述了修军在受到长安画派“一手伸向生活，，一手伸向传统”的思想影响之后，其艺术追求和创作风格上发生的变化。又横向比较了长安画派创始人石鲁与修军的速写作品，说明了其与长安画派核心画家风格上的异同点。最后还通过分析修军在艺术成熟时期的部分作品，论述其对于“生活”、“传统”与艺术的关系，独特的理解和实践手法。本文第三部分通过修军部分代表作品的分析，并列举了部分汉唐艺术、民间美术的典型图式，解读了修军艺术从汉唐艺术和民间艺术中汲取养份，最终形成个人鲜明的艺术特征。本文结论部分：得出修军艺术在形式背后的思想性之一，具有淳厚质朴的金石韵味。思想性之二：具有汉唐艺术特点的“残迹美学”。思想性之三：生活、艺术和个性相互融合的“写意精神”。
[Abstract]:Based on the schematic analysis of the military works, this paper discusses the formation and development of the artistic style and the characteristics of the art forms of "emerging Wood carving", "Chang'an painting School", "Folk Art and Han and Tang Art". The first part of this paper analyzes the influence of the new wood carving art on the practice of the primary stage of the military building art through the horizontal comparison between Xiujun and Li Hua and Gu Yuan. This paper expounds that the Xiujun follows Lu Xun to advocate the spirit of "emerging woodcarving", and highly unifies the "form life" of art with its concept of life. In the second part of this paper, according to the time axis of Xiujun's own creation, the author enumerates and analyzes some representative works, and expounds that Xiujun has reached out to life by Changan painting school. After the influence of traditional thought, the artistic pursuit and creation style change. This paper also compares the sketch works of Shi Lu and Xiujun, the founder of Changan School, and illustrates the similarities and differences between them and the core painters of Changan School. Finally, through the analysis of some works of Xiujun in the mature period of art, it discusses the relationship between "life", "tradition" and art, unique understanding and practice. It also enumerates some typical patterns of Han and Tang art, folk art, and interprets the nourishment from Han and Tang art and folk art. In the last part of this paper, the author draws the conclusion that one of the ideological contents behind the form of the art of military building has a pure and simple charm of gold and stone. Ideological part two: "remnant Aesthetics" with the artistic characteristics of Han and Tang dynasties. Ideological part three: the freehand brushwork spirit of life, art and personality.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J217

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