探究笔墨语言在山水画中的表现

发布时间：2018-06-11 20:42

本文选题：山水画 + 笔墨语言　；参考：《广东工业大学》2017年硕士论文

【摘要】：山水画是中国绘画形式之一,在山水画中,笔墨语言是其表述方式与呈现形态,在历代山水画家不断探循的过程中,已形成一套完整的、具有重要价值的笔墨语言体系。一个成功的画家,会在实践探索中创出属于自己的表现语言,出新必须先立足传统,取其精华,去其糟粕,再通过不断的实践,才能出“新”。笔墨语言是中国绘画的独特语言,是山水画之精髓,是画家抒发情感的载体,自古以来便是一个重要的课题,通过对这一命题的研究,有助于我们更清晰的认识笔墨语言,有利于促进中国山水画的积极发展,基于这些研究成果之上,重新审视笔墨语言在山水画中的表现,侧重与理论与实践方面的综合分析,结合笔者的学习和实践中具体体会进行分析。因此,深入的研究笔墨语言在山水画中的表现有着一定的现实意义。本文先从山水画发展史开始梳理山水画发展的脉络,进行分阶段的论述,让我们清晰的了解不同历史时代山水画的特点和发展方向。其次是笔墨语言的概说,对笔墨语言的定义和内涵进行解说,再从笔墨技法、精神和中西结合等方面分析笔墨语言在山水画中的具体表现,从中了解、学习前人的笔墨技法、审美情趣和艺术精神;然后再从具体人物个案和画家作品分析入手,解析“简淡”和“浑厚”两种风格在山水画中的继承和发展;最后,对以实践为落脚点,探索笔墨语言在笔者山水画写生与创作中的运用。本文的学术价值方面,力求探索笔墨技法在作品中精神内涵的体现,提高笔墨语言内美的追求和艺术格调的表现,在对画家和画家作品等多角度的分析,把笔墨语言作为主题来研究,让中国山水画艺术创作作品更具有民族性、时代性和丰富的精神内涵,成为构筑丰富多彩的中华文化精神艺术形式之一。
[Abstract]:Landscape painting is one of the forms of Chinese painting. In landscape painting, pen and ink language is the form of its expression and presentation. In the process of continuous exploration by landscape painters in the past dynasties, it has formed a complete and valuable language system of pen and ink. A successful painter will create his own performance language in practice and exploration. He must first base himself on tradition, take the essence of it, discard its dross, and then, through continuous practice, produce "new". Pen and ink language is the unique language of Chinese painting, the quintessence of landscape painting, the carrier of painters' expression of emotion. It has been an important subject since ancient times. Through the study of this proposition, it is helpful for us to understand the language of brush and ink more clearly. It is helpful to promote the positive development of Chinese landscape painting. Based on these research results, this paper re-examines the expression of brush and ink language in landscape painting, with emphasis on the comprehensive analysis of theory and practice. Combined with the author's study and practice of the specific experience for analysis. Therefore, the in-depth study of brush and ink language in the performance of landscape painting has a certain practical significance. In this paper, the history of landscape painting development began to sort out the context of landscape painting development, a phased discussion, let us clearly understand the characteristics and development direction of landscape painting in different historical times. Secondly, it is an overview of the language of pen and ink. It explains the definition and connotation of the language of brush and ink, and then analyzes the concrete performance of the language of brush and ink in landscape painting from the aspects of the techniques of brush and ink, the spirit and the combination of Chinese and western, so as to understand and learn from the techniques of previous generations. Aesthetic sentiment and artistic spirit; then from the specific figures and painters' works analysis, analysis of "simple" and "thick" style in landscape painting inheritance and development; finally, to practice as the foothold, Explore the use of pen and ink language in the author's landscape painting sketch and creation. In terms of academic value, this paper tries to explore the embodiment of the spiritual connotation of pen and ink techniques in the works, to improve the pursuit of the beauty of the pen and ink language and the expression of the artistic style, and to analyze the painters and painters' works from a variety of angles. To study the language of pen and ink as the theme, to make the artistic creation of Chinese landscape painting more national, epochal and rich in spiritual connotation, become one of the rich and colorful forms of spiritual art of Chinese culture.
【学位授予单位】：广东工业大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

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