《适者生存》系列版画研究

发布时间：2018-06-11 21:39

本文选题：环境 + 文化背景　；参考：《延边大学》2017年硕士论文

【摘要】：木刻历史极其悠久,我国自唐朝就已经出现了成型的木刻作品,经过发展与变革,及至宋代,书籍插图的印刷工艺就已经非常娴熟,明清间,民间木刻年画又异军突起,但功能一直以复制为主。创作型版画则起自20世纪30年代,经鲁迅提倡,传入国内。新兴木刻自诞生之日,便是中国革命文艺的一个重要组成部分,并且取得了巨大发展与重要成绩。论文以创作毕业作品《适者生存》木刻系列的思维方式与制作过程为主要内容,解答我的作品的表现意义,通过怎样发掘锤炼出自己独有的刀笔痕迹,对于材料有什么创新式的使用方法,来表述我三年研究生学习的研究成果。为方便研究,本文分为三个章节来进行描述即绪论、创作过程、与结论。第一章绪论部分主要阐述了我的论文课题背景、研究目的及研究内容。通过借鉴对比初民社会中人对自然敬畏共生的态度,用作品记录和表达我对生活的审视,对人和环境之间关联的思考。我使用仙人掌做为表现的主要内容,是一种拟人的借喻手法,一方面,这种植物喜光,顽强,多刺的特性正是我们身边恶劣环境中艰苦求生的现代人的映射,一方面,这种万物有灵的思维方式将人与自然主观的联系起来,合而为一。第二章主要描述了我把生活中的点滴体会,经过梳理形成画面的演变过程。在技法表现中我借鉴表现主义大师们的作品,整理出自己的形象。在具体操作上归纳并且总结了黑白木刻创作中的几种造型规律,制作过程中,我在熟练操作已有工序的基础上,对材料工具有创新性的使用与发现。最后一章是整篇论文的结论,是我对三年研究生学习生活的感悟与作品创作过程中的收获。《适者生存》这一木刻系列创作是我近三年学习与生活经历的一次归纳,虽然有些东西尚且幼稚,但这些都是成长过程中无法回避的,我希望作品能够给欣赏者带来自身的感悟与思考,也希望能够通过这论文,记录下我自身经验与技巧逐步成长的过程,对自己今后的创作带来更多的灵感与回味,同时将木刻知识介绍给更多的人,对同样想要玩味木刻表现的艺术家能够有所启发和帮助。
[Abstract]:Wood carvings have a very long history, China has appeared since the Tang Dynasty, through the development and reform, until the Song Dynasty, the printing process of book illustrations has been very skilled, between the Ming and Qing dynasties, folk woodcut New year paintings also suddenly emerged. But the main function has been to copy. Creative prints from the 20 th century, 30 s, Lu Xun advocated, introduced into China. Since the birth of new wood carving, it is an important part of Chinese revolutionary literature and art, and has made great development and important achievements. The main content of this thesis is the way of thinking and the process of making wood engraving series, and explains the expressive significance of my work, and how to find out how to hammer out its own unique trace of knife and pen. What innovative methods are available to describe the results of my three-year graduate study. To facilitate the study, this paper is divided into three chapters to describe the introduction, creative process, and conclusions. The first chapter introduces the background, purpose and content of my thesis. By comparing the attitude of human beings in primitive society towards nature reverence and symbiosis, I record and express my thoughts on the relationship between human beings and environment by recording and expressing my views on life. I use cactus as the main content of expression, is a personification of metaphor, on the one hand, this kind of plants like light, tenacious, thorny characteristics is the mapping of modern people who are struggling to survive in the harsh environment around us, on the other hand, This animistic way of thinking connects man and nature subjectively and becomes one. The second chapter mainly describes the evolution of my life. In the performance of techniques, I draw lessons from the works of the Expressionist masters, collate their own image. In the concrete operation summarized and summarized in the black and white woodcut creation several kinds of modelling law, in the production process, in the skilled operation already working procedure foundation, has the innovation use and the discovery to the material tool. The last chapter is the conclusion of the whole thesis, which is my understanding of the life of graduate students for three years and the harvest in the process of creation of works. The creation of this woodcut series is a summary of my study and life experience in the past three years. Although some things are still childish, but these are the process of growth can not be avoided, I hope that the work can bring their own appreciation and thinking, but also hope to be able to pass this paper, Record my own experience and skills to gradually grow, to their future creation to bring more inspiration and aftertaste, while the woodcut knowledge to introduce to more people, It can inspire and help artists who also want to play with woodcut performance.
【学位授予单位】：延边大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J217

【参考文献】