吴镇山水画渔父情结研究

发布时间：2018-06-18 00:52

本文选题：吴镇 + 渔父情结　；参考：《河南师范大学》2014年硕士论文

【摘要】：“渔父”在中国文化中，一向是作为隐逸之士的代名词。渔、樵、耕、读同为中国文人所向往的理想生活，不少著名的文人墨士经常会通过此主题抒发自身隐遁避世的情感。知识分子在不同的时代背景中，将中国哲学思想融入真实生活中的体悟，转换成诗词歌赋，山水画作等艺术作品，用以抒发自身对现实生活细腻的精神感触与坚守。每一个时代的艺术作品也都各自表达了不同风格的渔隐文化，在世代交替中互相激荡出更细腻精致、丰富多元的中国文化艺术精品。吴镇是元代以“渔父”为主题进行创作的典型文人画家，在其山水画作品中，无论是画面上的大片水域，以渔父形象出现的点景人物，还是题画诗表达出的深刻内涵等均是其渔父情结的流露，可以说，吴镇就是一位“为隐而隐”，将自身抽离于社会环境之外的隐者。其在临摹多位山水画先辈艺术风格与绘画技巧，再融入了自己隐逸思想后，，创造了沉稳内敛，细腻丰富，兼容多家艺术先辈之长但不失自我独特风格的绘画艺术。其别具一格的绘画风格，独出心裁的绘画技巧，丰厚的儒、释、道哲学底蕴，加上匠心独具的诗词语言，为中国的渔隐文化带来另一层次的水墨艺术盛宴。本文通过对吴镇山水画渔父情结进行研究，结合时代背景、社会背景以及个人多方面的因素分析吴镇山水画渔父情结产生的根源，解析吴镇淡泊尘世，虚静超然的精神生活下所展现出孤耿高洁、不悦世俗的梅花道人形象，在通过艺术语言对其渔父情结做细致分析，让我们不仅能够对吴镇有一个理性清晰的认识，也希望通过渔父情结所展示出的思想精神及其所体现出的人生价值观对我们今后的生活学习有所帮助。
[Abstract]:Yu Fu has always been synonymous with hermit in Chinese culture. Fishing, firewood, ploughing and reading are the same ideal life that Chinese literati yearn for. Many famous literati Mohist often express their hidden feelings through this theme. Intellectuals in different backgrounds of the times, the Chinese philosophy into the real life of understanding, converted into poetry, landscape painting and other works of art, to express their own delicate spiritual feelings and adherence to real life. The works of art in each era also express different styles of fish and hidden culture, which excites each other in the alternation of generations to produce more exquisite and diversified fine Chinese cultural and artistic works. Wu Zhen is a typical literati painter whose theme is "Yufu" in Yuan Dynasty. In his landscape painting works, no matter it is a large area of water on the screen, he is a point scene figure appearing in the image of Yufu. Or the profound connotation expressed in the painting poems is the expression of his fishing father complex. It can be said that Wu Zhen is a hermit who "hides for the sake of concealment" and pulls himself out of the social environment. After copying the art style and painting skills of many ancestors of landscape painting, and then incorporating his recluse thought, he created the art of painting which is stable and introverted, exquisite and rich, compatible with the length of many art ancestors but without losing their own unique style. His unique painting style, unique painting skills, rich Confucianism, Buddhism, Taoist philosophy, plus ingenious poetic language, bring another level of ink art feast for Chinese fishing and hidden culture. In this paper, through the study of Wuzhen landscape painting fishing father complex, combined with the background of the times, social background and personal factors to analyze the origin of Wuzhen landscape painting fishing father complex, and analyze Wuzhen indifferent world. Under the empty and aloof spiritual life, the image of a lonely, high-clean, secular plum flower Taoist is displayed. Through careful analysis of his fishing father's complex through artistic language, we can not only have a rational and clear understanding of Wuzhen, I also hope that the spirit and values of life displayed through the fishing father complex will help us to study in the future.
【学位授予单位】：河南师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

【参考文献】