以少胜多—八大山人花鸟画构图研究

发布时间：2018-06-19 00:20

本文选题：花鸟画 + 八大山人　；参考：《湖南科技大学》2014年硕士论文

【摘要】：八大山人，又名朱耷，是明末清初时期画坛中“四僧”之一，他是明朝的王孙后裔，在经历过改朝换代的震荡之后，遁入佛门，常年修道。他致力于山水、花鸟以及书法艺术，在他的一生中，完成了很多优秀的作品，花鸟画成就尤为丰硕，促进了花鸟画的发展与创新，对后世的影响是巨大的，堪称是十七世纪著名的艺术家。中国画向来讲究以形写神，用寥寥几笔画出万千世界，做到“传情”达意。古人论山水画强调以小见大、以少胜多，这些可以用来概括八大山人的绘画风格。八大山人的花鸟画最突出特点就是“少”，少表现在：一是描绘的对象少，二是塑造对象时用笔少。其次是形象的塑造。从总体看，他的画面讲究的是置陈布势，通过简洁的布局抒发其胸臆，巧妙地安排画面中的主体，不多一笔也不少一笔，笔简意到，恰到好处。他的绘画语言简练并不代表内容少，而恰恰相反的丰富了画面的内容。八大山人的花鸟画中的构图是独特的，他自出机杼，渐渐形成了具有个人风格的构图，注重画面的留白，以一当十，通过画面内容的精心提炼，深刻表达了复杂、矛盾的心理历程。他的绘画风格日趋成熟，独具魅力的构图风格影响着一代又一代的艺术家、学者。本文尝试以八大山人的花鸟画构图为研究对象，结合他的花鸟画作品进行论述，初步说明八大山人花鸟画的构图特点，且分析了其构图风格的成因、对后世的影响。通过对八大山人花鸟画风格的归纳和分析，深刻体会到中国画必须以传统为基础，去其糟粕，取其精华，并认识到构图对于绘画的重要性。
[Abstract]:Eight mountain people, also known as Zhu Da, is one of the "four monks" in the painting world in the late Ming and early Qing dynasties. He was a descendant of Wang Sun of the Ming Dynasty. He devoted himself to landscape, flowers and birds and calligraphy. In his life, he completed many excellent works, especially the achievements of flower-and-bird paintings, which promoted the development and innovation of flower-and-bird paintings, and had a great impact on later generations. It is a famous artist of the seventeenth century. Chinese painting has always been fastidious in form to write God, with a few strokes to draw thousands of world, achieve "convey" meaning. The ancients' view of landscape painting emphasizes the small view and the small victory, which can be used to generalize the painting style of the eight great mountain people. The most prominent feature of the flower and bird paintings of the eight mountain people is "less", which is shown in the following aspects: first, fewer objects are depicted, and second, less pen is used to shape objects. The second is the shaping of the image. On the whole, what his picture stresses is Chen Busheng, expressing his mind through a simple layout, skillfully arranging the subject of the picture, not more than one stroke, but also a stroke, which is just right. His concise painting language does not mean less content, on the contrary, enriched the content of the picture. The composition of the flower-and-bird paintings of the eight great mountain people is unique. He gradually came out of the loom and gradually formed a composition with a personal style. He paid attention to the blankness of the picture and made it through the careful refinement of the contents of the picture, he profoundly expressed the complexity. A contradictory psychological process. His painting style matures day by day, the unique charm composition style affects generation after generation artist, scholar. This article attempts to take the composition of the flower and bird paintings of the Bada Mountain people as the research object, combined with his flower-and-bird painting works to discuss the composition characteristics of the flower and bird paintings of the eight great mountain people, and analyzes the causes of the composition style and the influence on the later generations. Through the induction and analysis of the style of flower and bird painting of the eight great mountain people, it is deeply understood that Chinese painting must be based on tradition, discard its dross, take its essence, and realize the importance of composition for painting.
【学位授予单位】：湖南科技大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

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