浅谈中国重彩人物画中的独特气质

发布时间：2018-06-20 07:59

本文选题：重彩人物画 + 独特气质　；参考：《湖北美术学院》2017年硕士论文

【摘要】：有人会认为中国重彩人物画多数是用于帛、陶、墙壁上绘画,材质媒介有所限制;颜色多为矿物颜料,颜色沉闷不透气;所绘内容大部分是局限于宗教和墓室壁画,其作用大部分是用于成教化,助人伦;绘事之人也多是匠人,绘画中多带有匠气,这些因素削弱了重彩人物画的气韵。不可否认,以上种种在中国重彩人物画的某些发展历史中确实存在过,但这些观点可能并不全面。因为从中国重彩人物画的发展历史可以看出,重彩人物画是与中国文化的发展息息相关的,无论时代怎么变化,中国文化的本质都是在吸收融合多元文化中对自然生机对生命的探索,而中国重彩人物画的发展是中国文化发展的一部分,其受到中国文化的影响。正如同道家阴阳学说——虽然看似阴阳、黑白对立,但统一于一个世界,生命与自然在此轮转不息。所以从这一层面上来说,重彩人物画也是在表现和探索自然万物的勃勃生机和悠长的气韵。而具体来说,画家的文化修养与思想情态受到同一时期中国文化影响,同时画家对自己作品的影响是最直接的,艺术的生命力是重彩人物画家将文化情态展现在作品中。对于还在重彩人物绘画道路上摸索的我们来说,如何画出一幅气韵生动、具有艺术感染力的画作,可以运用中国传统文化中的阴阳对立统一法和画家个人文化情态并结合一些画作实例来分析线、色、形式、内容等构成要素,来找到我们创作的方向和灵感。
[Abstract]:Some people will think that most of the Chinese paintings are used for silk, pottery, painting on walls, and the medium of materials is limited; the colors are mostly mineral pigments, and the colors are dull and breathless; and most of the paintings are limited to religious and tomb murals. Most of its role is used to become civilized, help others; painting people are also more craftsmen, painting more with a craftsmanship, these factors weakened the charm of the heavy figure painting. There is no denying that all the above have existed in some history of Chinese figure painting, but these views may not be comprehensive. Because it can be seen from the development history of Chinese figure painting that it is closely related to the development of Chinese culture, no matter how the times change. The essence of Chinese culture is to explore the life of natural vitality in the process of assimilating multiple cultures, and the development of Chinese figure painting is a part of the development of Chinese culture, which is influenced by Chinese culture. As the Taoist doctrine of yin and yang-although seemingly yin and yang, black and white opposition, but unified in a world, life and nature in this rotation. Therefore, from this level, the heavy color figure painting is also in the expression and exploration of the vitality of nature and long charm. Specifically, the artist's cultural accomplishment and ideological modality are influenced by Chinese culture in the same period, and the artist's influence on his works is the most direct, and the vitality of art is that the artist displays the cultural modality in his works. For those of us who are still groping in the way of the painting of important characters, how can we draw a painting with vivid charm and artistic appeal? In order to find out the direction and inspiration of our creation, we can use the unity of yin and yang opposites in Chinese traditional culture and the individual cultural modality of painters and analyze the elements of line, color, form, content and so on with some examples of paintings.
【学位授予单位】：湖北美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

【共引文献】