观念在中国油画创作中的注入

发布时间：2018-06-20 14:09

本文选题：观念 + 中国油画　；参考：《南昌大学》2013年硕士论文

【摘要】：中国油画的发展由来,是西方艺术体系中表现媒介的一类。在油画起源的早期,油画创作的意义的支撑,都是服务于宗教的神圣信仰,然后发展至为贵族,再到以人为本,以人追求他自身个人的特质,他思想为主导的创作方向。今天,油画艺术的创作意识已发生了一些变化,观念思想在油画艺术作品中的注入,顿然使得油画艺术的思想性得到了提升,对于作品的思想、文化深度有了更耐人细嚼的部分。本论文选题就是由观念思想出发,对油画艺术的发展、演变到当下的文化现象的脉络进行梳理,解析观念意识的注入,在当下油画艺术领域创作运用中的特殊性。为从事油画艺术创作的同志们,提供一份对观念意识透析的理论支撑,希望能为他们的油画艺术创作提供有意义的思想梳理,实现更好的创作方向的认识。
[Abstract]:The development of Chinese oil painting is a kind of expression medium in the western art system. In the early days of the origin of oil painting, the significance of oil painting creation was supported by the sacred belief serving religion, and then developed to the aristocrat, then to the people-oriented, to pursue his own personal characteristics, his thoughts as the leading direction of creation. Today, some changes have taken place in the creative consciousness of oil painting art. The injection of ideas into oil painting works has made the ideological content of oil painting art improve. The depth of the culture has become more chewy. This thesis is based on the idea of thinking, the development of oil painting art, evolution to the current cultural phenomenon to sort out, analysis of the concept of consciousness injection, in the field of oil painting art in the application of the particularity. For the comrades engaged in oil painting art creation, to provide a theoretical support to the concept of consciousness analysis, hoping to provide their oil painting art creation with meaningful ideas combing, to achieve a better understanding of the direction of creation.
【学位授予单位】：南昌大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213

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