渐江山水画面结构的张力
发布时间:2018-06-22 06:31
本文选题:渐江 + 山水画 ; 参考:《中国艺术研究院》2017年硕士论文
【摘要】:渐江是我国明末清初一位杰出的画家,清初“四僧”之首,开创了新安画派。其绘画成就突出,形成了具有代表性的几何形山石结构语言和独特的构图风格,推动了山水画的发展。他以“虚静澄怀、荒疏冷逸”的精神气质,开拓了中国山水画的艺术境界,成为当时的一座高峰,并对后世产生了深远的影响。本文以渐江山水画结构作为研究对象,通过四章对其山水画结构产生张力的原因进行分析。首先在引言部分,概述本选题的研究意义,通过对渐江师古法、师造化、逸民心理和徽派版画影响这四个方面来分析其艺术特点形成的原因。第一章主要研究渐江山水画中的开合。画面中好的开合可以“聚气”并取得“动势”,通过这两点来分析得出开合在画面结构中产生张力的作用;第二章分析张力在骨架穿插交错中的具体表现,主要通过“双线交插”,三线“主线、辅线、破线”交插及多线交插等不同方面来进行分析,研究骨架线在画面中相互穿插产生不同的结构张力;第三章着重阐述张力在平面分割结构中的体现,本章通过四个小节来分析,首先是渐江最为代表性几何形山石的结构分割,其次是点、线、面式分割,再次是截断式分割,最后是复合多样性的平面分割。第四章主要说明了渐江山水画结构对笔者创作的启示,通过“取景”、“构图”两方面来阐明其山水画结构对笔者创作的指导。
[Abstract]:Jianjiang is an outstanding painter in late Ming and early Qing Dynasty. His outstanding painting achievements, formed a representative geometric stone structure language and unique composition style, promoted the development of landscape painting. He developed the artistic realm of Chinese landscape painting with the spirit of "empty quiet and clear mind, desolate and cold", and became a peak at that time, and had a profound influence on later generations. In this paper, the structure of Jiangjiang landscape painting as the research object, through four chapters to analyze the causes of tension in the structure of landscape painting. First of all, in the introduction part, summarizes the research significance of this topic, analyzes the reasons for the formation of its artistic characteristics from four aspects: the ancient method of the gradual Jiangshi, the division of the ancient method, the psychology of Yi Min and the influence of Huizhou print. The first chapter mainly studies the opening and closing of the landscape painting. The good opening and closing in the picture can "gather gas" and obtain "dynamic force". Through the analysis of these two points, it can be concluded that the opening and closing can produce tension in the structure of the picture. Chapter two analyzes the concrete performance of the tension in the interlacing of the skeleton. Mainly through "double intersecting", "three lines" main line, auxiliary line, broken line "intersecting" and multi-line intersecting to carry on the analysis, study the skeleton line interspersed in the picture to produce the different structure tension; The third chapter focuses on the expression of tension in the plane segmentation structure, this chapter through four sections to analyze, the first is the structure segmentation of the most representative geometric rock, the second is the point, line, plane segmentation, and then the truncated segmentation. Finally, the complex diversity of the plane segmentation. The fourth chapter mainly explains the inspiration of the structure of the landscape painting on the author's creation, through the "landscape", "composition" two aspects to clarify its landscape painting structure to the author's creative guidance.
【学位授予单位】:中国艺术研究院
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J212
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