明代送别图研究

发布时间：2018-06-22 10:42

本文选题：送别图 + 构图　；参考：《华中师范大学》2014年硕士论文

【摘要】：中国的送别诗源远流长,萌芽于《诗经》,发展于两汉,成熟于魏晋南北朝时期,在唐代达到了顶峰。这种对挚友离别情绪的完美表达,也促使了送别图的产生。送别图作为一种绘画题材多次出现在画家的画作中,如：湖北江陵凤凰山秦墓出土的一把木箅柄上就绘有送别图的场面；东晋时期顾恺之的《洛神赋图》中洛神与曹植恋恋不舍的场景以及五代时期顾宏中《韩熙载夜宴图》的最后一段主人与客人相互道别的场景,这些都是以人物为主的送别图。而以山水画形式出现的送别图始于两宋时期,并在在明代达到了顶峰。这与明朝的政治和经济发展有着密切的关系。在城市经济高度发展的明朝,人们对精神的追求也随之提高。由于送别图既能为高山流水传神,又能表达对知友的真挚情谊,使文人士大夫和商贾权贵竞相效仿。又因为送别图所具有的特殊含义,使其在知友离别时成为赠送友人或赠送权势的最高雅的礼物。本文以明代的送别图为主,主要探究送别图在明代兴盛的原因及其本身的价值和意义。以解读画家作品背后深层次的文化根源为立足依据,对明朝送别图的发展、演变、文化背景和社会作用进行探讨。本文通过三个部分展开论述：第一部分是对送别图在明朝形成原因及其发展历程进行论述,包括三个方面。第一,由送别诗而演变出的送别图,在这一部分论述了由诗入画而产生出的最早的山水送别图。第二,介绍送别图在两宋之际的发展以及对后代送别图的影响。第三,探讨送别图在明代兴盛的社会背景。第二部分以明代送别图的功能为主来论述送别图在不同的场合所发挥的作用。介绍了送别图在当时的人际关系中所承担的角色,综合了文化、艺术的整体研究。整个论述分为三个部分,分析送别图在不同场景中的应用和其中社会原因及画家的个人感情。第三部分以送别图的图式特点来分析送别图在发展过程中所产生的图式变化,及其发生图式变化的原因。以此来分析画家在图中所蕴含的感情。第一部分主要是论述以水面为主的初期绘画图式,及这种图式所带来的影响。第二部分是画家根据特定的情景和对朋友的了解而创作出来的具有特色的画作,同时也是送别图图式的重大转变。第三部分是最能体现画家与朋友之间真情所在的画作,这也是送别图的真正意义所在,它体现出了当时的社会、文化和艺术方面的信息。最后,综述以上观点得出结论：明代送别图与两宋送别图之间的区别,以及明代送别图所具有的人文价值。
[Abstract]:The farewell poems of China have a long history, sprout in the Book of songs, developed in the Han Dynasty, matured in the Wei, Jin, Southern and Northern dynasties, and reached the peak in the Tang Dynasty. This perfect expression of the parting emotions of close friends also contributed to the creation of farewell plans. As a painting subject matter, the farewell map appears in the painter's paintings many times, such as: a wooden grate handle unearthed from the Qin Tomb of Fenghuang Mountain in the Jiangling of Hubei Province has the scene of farewell drawing; In the Eastern Jin Dynasty, Gu Kaizhi's "Luoshen Fu Chou" and Cao Zhi's reluctant scenes, and the last scene of the host and guest's farewell to each other in Gu Hongzhong's "Han Xizai Night Banquet" in the five dynasties period, all these are mainly character-oriented farewell plans. The farewell map in the form of landscape painting began in the Song Dynasty and reached its peak in the Ming Dynasty. This is closely related to the political and economic development of the Ming Dynasty. In the Ming Dynasty, with the high development of urban economy, people's pursuit of spirit also improved. Because the farewell map can not only convey the spirit of the mountain and water, but also express the sincere friendship to the friends, it makes the literati and officials and the businessmen emulate each other. Because of the special meaning of the farewell map, it becomes the most elegant gift to the friend or power when the friend leaves. This paper focuses on the farewell drawings of the Ming Dynasty, mainly explores the reasons for the prosperity of the farewell maps in the Ming Dynasty and their own value and significance. Based on the interpretation of the deep cultural roots behind the painters' works, this paper probes into the development, evolution, cultural background and social function of the farewell drawings of the Ming Dynasty. This paper discusses through three parts: the first part is to discuss the formation of farewell map in the Ming Dynasty and its development process, including three aspects. First, the farewell map evolved from the farewell poem. In this part, the earliest landscape farewell map produced by the poem is discussed. Secondly, it introduces the development of farewell map in Song Dynasty and its influence on future generations. Thirdly, the social background of the prosperity of farewell map in Ming Dynasty is discussed. The second part mainly discusses the function of farewell map in Ming Dynasty. This paper introduces the role of farewell chart in the interpersonal relationship at that time, synthesizing the whole research of culture and art. The whole thesis is divided into three parts. It analyzes the application of the farewell chart in different scenes, the social reasons and the personal feelings of the painter. The third part analyzes the schema changes in the development process of the farewell map and the reasons for the schema change by using the schema characteristics of the farewell map. This is to analyze the feelings of the artist in the picture. The first part mainly discusses the initial drawing schemata based on water surface and its influence. The second part is the painter based on the specific situation and the understanding of friends and the creation of unique paintings, but also a major change in the pattern of farewell. The third part is the painting which can best reflect the true feelings between the painter and friends, which is also the true meaning of the farewell map, it reflects the social, cultural and artistic aspects of the information. Finally, the conclusion is drawn as follows: the difference between the farewell drawings of the Ming Dynasty and the Song Dynasty, and the humanistic value of the farewell drawings of the Ming Dynasty.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J209.2

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