论写生在中国工笔花鸟画创作中的重要性

发布时间：2018-06-22 15:28

本文选题：工笔花鸟画 + 写生　；参考：《云南师范大学》2015年硕士论文

【摘要】：中国传统工笔花鸟画经历了很长一段只注重表现技法的时期,在意识到写生的重要性时,艺术家所创作的作品才更具有生命力。古今取得重大成就的艺术家,都提倡到实际生活当中去,并强化自身的创造性,以写生为第一要素,这也足以说明师法自然的重要性。本文从工笔花鸟画创作中的写生入手,分析了师法百家的利与弊,以及中外文化差异影响下写生意识的不同,提出工笔花鸟画写生所应具备的基本素质。通过分析谢赫六法之“传移模写”、“应物象形”以及“形神观”、“外师造化,中得心源”之间的特点与联系,对工笔花鸟画的写生方法以及写生对创作的重要性进行研究。着重探讨现实形物的自然美和画家主观自我内在心理的相互作用,分析“形”与“神”的相互关系,说明写生的目的不只是达到“形似”,而是追求更高层次的“神似”,“以形写神”也是中国传统写实绘画区别于西方写实绘画最本质的差别。文章也提及了绘画之基础要找到写生的实质和真正意义,说明中国绘画的创作在写生中孕育,写生是创作的源泉之所在。
[Abstract]:Chinese traditional fine brushwork flower-and-bird painting has experienced a long period of only paying attention to performance techniques. When realizing the importance of sketching, the works created by artists have more vitality. The artists who have made great achievements in ancient and modern times all advocate to go into the real life and strengthen their own creativity, taking sketching as the first element, which is also enough to explain the importance of the nature of the teaching method. This paper begins with the sketch of fine brushwork flower-and-bird painting, analyzes the advantages and disadvantages of the hundred schools of learning the method of teaching, and the differences in the consciousness of sketching under the influence of cultural differences between China and foreign countries, and puts forward the basic qualities that should be possessed in the sketching of meticulous flower-and-bird painting with meticulous brushwork. Based on the analysis of the characteristics and relations between the six methods of Sheige, such as "writing with moving mould", "pictograph" and "view of form and spirit", and "creation of outside teacher and source of heart", this paper studies the sketch method of fine brushwork flower-and-bird painting and the importance of sketching to creation. This paper probes into the interaction between the natural beauty of realistic objects and the inner psychology of the painter's subjective self, analyzes the relationship between "form" and "God", and explains that the purpose of sketch is not only to achieve "likeness", but also to pursue a higher level of "likeness". Writing spirit in form is also the most essential difference between Chinese traditional realistic painting and western realistic painting. The article also points out that the foundation of painting should find the essence and true meaning of sketch, which shows that the creation of Chinese painting is conceived in sketch, and sketch is the source of creation.
【学位授予单位】：云南师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J212

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