管勇绘画中的图像符号探析

发布时间：2018-06-22 15:50

本文选题：管勇 + 绘画　；参考：《安徽大学》2014年硕士论文

【摘要】：经过政治波普、玩世现实主义、艳俗艺术等潮流之后,中国当代艺术发生了很大变化。绘画语言中符号化、图像化倾向愈加明显。受到王广义、张晓刚、方力钧等“明星艺术家”的影响,一些艺术家“找到”了所谓成功捷径——形式化的、有眼球效应的特殊符号,这种简单的模仿缺乏应有的思考深度,产生了许多空洞的、无效的、泛滥的、无语义指向的绘画作品。当然,已有些年轻艺术家在按照自己的意识观念进行实践性探索,并取得了令人瞩目的艺术影响,而管勇就是其中的一位,他的作品具有一种独特的叙述角度——对社会与历史的宏观指向及反思,并慎重选择有效的个人符号进行创作。本文以管勇的绘画作品作为研究对象,通过对管勇绘画中图像符号的成因、符号的所指分析、符号形成的理论框架以及在当代艺术中的独特性这四个部分展开研究,来探寻符号运用和表达的“有效性”。首先,通过分析西方后现代主义、国内社会环境、历史问题、和个人成长因素对管勇绘画符号形成的内在推动,探究管勇绘画中图像符号的探索、积淀和形成过程；其次,着重剖析管勇绘画中构成因素的所指,包括绘画中主要人物与构成物的分析、色彩象征的分析,通过对其绘画中图像符号的慎重选择,可以得出管勇组合编排图像,产生情境,形成画面语义上的设问,再运用图像符号的象征寓意来暗示他的个人思考与理解,从而形成了自己独特的艺术语言；再次,基于对管勇绘画中图像符号的深入研究,探究其图像符号形成与运用的理论框架,透过理论框架更清晰的了解其形成过程；最后,提炼出管勇绘画中图像符号的特质,及其蕴含的政治意涵、宗教感气质和精神探索。本文研究管勇绘画的意义还在于,以他作为个案,对我国当代的艺术创作的问题思考。这是管勇富有探索精神的艺术创作实践本身,在于与当代艺术中其他无语义指向的符号化艺术的重要区别。通过剖析管勇“有效符号”、创作理论框架和他的艺术精神,也能给我们的艺术创作带来一些启示。
[Abstract]:After the trend of political pop, world realism and gaudy art, great changes have taken place in Chinese contemporary art. The tendency of symbolization and pictualization in painting language is becoming more and more obvious. Influenced by "star artists" such as Wang Guangyi, Zhang Xiaogang, and Fang Lijun, some artists "found" the so-called shortcut to success-a special symbol with eyeball effect, which lacks the depth of thought due to this simple imitation. A lot of empty, invalid, flooding, no semantic point of painting. Of course, some young artists have been making practical explorations according to their own consciousness, and have achieved remarkable artistic influence, and Guan Yong is one of them. His works have a unique narrative angle-the macro direction and reflection of society and history, and careful choice of effective personal symbols for creation. This article takes Guan Yong's painting works as the research object, through the analysis of the causes of the image symbols in Guan Yong's paintings, the analysis of the symbols, the theoretical framework of the symbol formation and the uniqueness of the contemporary art. To explore the use of symbols and the expression of the "validity". First of all, through the analysis of western postmodernism, domestic social environment, historical problems, and personal growth factors on the inherent promotion of Guan Yong painting symbols, explore the image symbols in Guan Yong painting exploration, accumulation and formation process; second, Focusing on the analysis of the elements in Guan Yong's painting, including the analysis of the main characters and components in the painting, the analysis of the color symbol, through the careful selection of the image symbols in his painting, it can be concluded that Guan Yong combines and arranges the images and produces the situation. Form the picture semantic questions, then use the symbolic moral of image symbols to imply his personal thinking and understanding, thus forming his own unique artistic language. Thirdly, based on the in-depth study of the image symbols in Guan Yong's paintings, Explore the theoretical framework of the formation and application of its image symbols, through the theoretical framework to understand its formation process more clearly; finally, extract the characteristics of the image symbols in Guan Yong's paintings, and the political implications, religious temperament and spiritual exploration. The significance of the study of Guan Yong's painting is that he is a case study of contemporary art creation in China. This is the exploring spirit of Guan Yong's artistic creation practice itself, which lies in the important difference from other sememateless symbolic art in contemporary art. By analyzing Guan Yong's "effective symbol", the theoretical framework of creation and his artistic spirit, we can also bring some enlightenment to our artistic creation.
【学位授予单位】：安徽大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205

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