北宋山水画的“求真”观念研究

发布时间：2018-06-23 05:40

本文选题：院体山水 + 文人山水　；参考：《扬州大学》2016年硕士论文

【摘要】：宋代是我国封建社会发展的最高阶段,两宋期内的物质文明和精神文明所达到的高度,在中国整个封建社会历史时期之内,可以说是空前绝后的。山水画经过五代的发展,到北宋已经相当成熟。北宋时期,山水画出现一种“求真”观念,并在长时间内引领了山水画的发展潮流。这种“求真”观念投射在山水画创作上,表现出画家对客观世界本真的追求。这种观念是在儒、释、道三家共同作用下兴起的,对北宋士夫、文人的艺术思想和审美取向产生了巨大影响。而这种“求真”观念在北宋前后时期又有不同,这种不同是从院体山水画到文人山水画的改变,是对“真山水”的追求转至对“真性情”的追求。从而使北宋山水画突破画工画和院体画的牢笼与禁锢,成为抒发和表达士夫、文人内心情感的重要手段。本文从三方面研究“求真”观念,即来源、表现、价值和影响。又对三个方面的差异有针对性的制定研究方法,通过对北宋的儒、释、道三家思想的探源,为“求真”观念的兴起找寻原因和理论依据；通过具体作品分析,考察北宋院体山水对“真山水”的追求和文人山水对“真性情”的追求及其代表人物和表现形式；通过对北宋山水画“求真”观念价值进行评判,阐述其在中国画史中的地位和对后世山水画的影响力。本文从北宋山水画的图式风格和绘画语言特征出发,来研究北宋山水画的求真观念,分析院体山水画和文人山水画的形成、代表画家各自风格的异同和这种“求真”观念的改变。从宋代山水画造境特征中寻找山水画在当代形式转换和精神价值的传承,期望通过“求真”观念的研究对当下有所启发和帮助。
[Abstract]:Song Dynasty is the highest stage of the development of feudal society in China. The height of material civilization and spiritual civilization reached in the two Song dynasties can be said to be unprecedented in the whole period of feudal society in China. Landscape painting after the development of five dynasties, to the Northern Song Dynasty has been quite mature. In the Northern Song Dynasty, landscape painting appeared a concept of "seeking truth" and led the development trend of landscape painting for a long time. This concept of "seeking truth" is projected on the creation of landscape painting, showing the painters' pursuit of the truth of the objective world. This idea arose under the joint action of Confucianism, Buddhism and Taoism, and had a great influence on the artistic thought and aesthetic orientation of scholars and scholars in the Northern Song Dynasty. The concept of "seeking truth" was different before and after the Northern Song Dynasty. The difference was the change from the Yuan style landscape painting to the literati landscape painting, and the pursuit of "true landscape" to the pursuit of "true temperament". Therefore, landscape painting in Northern Song Dynasty broke through the cage and imprisonment of painters and courtyard paintings, and became an important means to express and express the feelings of scholars and scholars. This paper studies the idea of seeking truth from three aspects, namely origin, expression, value and influence. Through the exploration of the origin of Confucianism, Buddhism and Taoism in the Northern Song Dynasty, the reasons and theoretical basis for the rise of the concept of "seeking truth" are found, and the concrete works are analyzed. This paper examines the pursuit of "true landscape" by the body of landscape in the Northern Song Dynasty and the pursuit of "true temperament" by literati landscape, and its representative characters and forms of expression, and judges the value of the concept of "seeking truth" in landscape painting of Northern Song Dynasty. It expounds its position in the history of Chinese painting and its influence on later Chinese landscape painting. Based on the schematic style and language features of landscape painting in Northern Song Dynasty, this paper studies the concept of seeking truth in landscape painting in Northern Song Dynasty, and analyzes the formation of landscape painting and literati landscape painting. It represents the similarities and differences of the painters' respective styles and the change of the idea of seeking truth. This paper looks for the transformation of landscape painting in contemporary form and the inheritance of spiritual value from the characteristics of landscape painting in Song Dynasty, hoping to enlighten and help the present through the study of the concept of "seeking truth".
【学位授予单位】：扬州大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J212

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