西方立体主义在民国时期的传播与影响研究

发布时间：2018-06-23 11:15

本文选题：西方立体主义 + 中国美术　；参考：《山东艺术学院》2017年硕士论文

【摘要】：西方文化对中国近代社会的发展产生了巨大的冲击与影响,加之时代因素造成时局的动荡,使包括艺术在内的各个领域即使在短短的几十年间,也有着明显的变化。西方绘画的介入使中国绘画开启了变革性的新纪元。在客观求生存和主观求发展的驱使下,民国时期正是西方艺术大肆引入中国并得到广泛传播与实践的阶段,这其中便包括引起西方绘画史革命性运动的立体主义。本文以西方立体主义在民国时期的传播与影响为研究对象,通过对这一时期艺术变革发展的大环境,绘画留学生归国后经由多种方式对立体主义的引介宣扬,民国时期“新画派”和“现代派”中实践立体主义的实绩,立体主义在中西绘画艺术中影响差异的比较等问题的研究,明晰西方立体主义在民国时期的传播历史,梳理立体主义在中国艺术中的早期发展脉络,并就其影响进行研究分析。本论文正文主要有三个部分:第一章是阐述立体主义传入民国的基本形态。对于国人对这一西方现代主义艺术的态度与认知上的阐述,有助于对本论文整体的把握,起到交待全文的作用。然后主要从传入的两个主要来源,教学、结社、书刊、展览等多种主要传入途径,民国时期内三个阶段的发展进程来分析。第二章论述立体主义在民国的具体传播实绩与影响。立体主义经由留学生引入民国后在理论和实践两方面进行的传播实绩,对立体主义创始人之一的毕加索进行个案分析,明晰毕加索这一具有巨大影响力的代表画家在中国20世纪上半期的认知度与影响力。通过客观导向和主观选择的双重影响下,分析立体主义在民国时期的本土取舍。第三章分析立体主义在民国时期能够传入中国的原因及其昙花一现后迅速没落的原因。本文运用文献研究法和比较分析法。通过阐述西方立体主义在民国时期引入的必然原因、引进来源与途径以及传播过程,经过传播实践后所产生的影响等内容,对西方立体主义在民国时期的传进历程与艺术实践进行了比较全面的分析和研究。意图通过研究梳理出一条立体主义在中国民国时期美术中传播与影响的较为详实的发展脉络。
[Abstract]:Western culture had a great impact and influence on the development of modern Chinese society. In addition, the factors of the times caused the turbulence of the current situation, which made the various fields, including art, have obvious changes even in a short period of several decades. The intervention of Western painting has opened a new era of revolution in Chinese painting. Driven by objective survival and subjective development, the period of the Republic of China was the stage in which western art was introduced into China and widely spread and practiced, which included cubism that caused revolutionary movement in western painting history. This article takes the dissemination and influence of western cubism in the period of the Republic of China as the research object, through the general environment of the artistic reform and development of this period, the painting students come back to the country through many ways to introduce and preach the cubism. The achievements of the practice of cubism in "New painting School" and "Modern School" in the period of the Republic of China, the comparison of the influence of cubism in Chinese and Western painting art, and so on, so as to clarify the spreading history of Western Cubism in the period of Republic of China. Combing the early development of cubism in Chinese art and analyzing its influence. The main body of this thesis has three parts: the first chapter is the introduction of cubism into the basic form of the Republic of China. The explanation of the attitude and cognition of this western modernist art is helpful to the overall understanding of this paper and to the full text. Then mainly from the two main sources of introduction, teaching, association, books, exhibitions and other main ways, the development of the three stages of the period of the Republic of China to analyze the process. Chapter two discusses the concrete spreading achievement and influence of cubism in the Republic of China. Cubism is a case study of Picasso, one of the founders of cubism, through the spreading achievements in theory and practice after the introduction of the Republic of China by foreign students. To clarify Picasso's recognition and influence in the first half of the 20th century. Under the dual influence of objective orientation and subjective choice, this paper analyzes the local choice of cubism in the period of the Republic of China. The third chapter analyzes the reason why cubism was introduced into China during the period of the Republic of China and why it declined rapidly after a flash in the pan. This article uses the literature research method and the comparative analysis method. By expounding the inevitable causes of the introduction of cubism in the Republic of China, the sources and channels of the introduction, the process of dissemination, the influence of the dissemination practice, etc. This paper makes a comprehensive analysis and research on the spreading process and artistic practice of western cubism in the period of the Republic of China. This paper intends to sort out a detailed development context of the dissemination and influence of cubism in the art of the Republic of China.
【学位授予单位】：山东艺术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J209.1

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