改良年画与近代中国的视觉启蒙

发布时间：2018-06-23 20:23

本文选题：改良年画 + 视觉启蒙　；参考：《安徽史学》2017年01期

【摘要】：清末彭翼仲等知识分子提议改良中国传统木版年画,倡导清除积弊、女性解放、兴办教育等新主张,以实现开启民智、救亡图存等愿望。天津杨柳青、河北武强、山东潍县等知名年画产地的画师们响应其主张,制作出一批题材新颖、反映社会现实的作品,成为这一时期下层社会启蒙运动的重要组成部分。民国时期,北京政府和国民政府不仅将改良年画纳入社会教育和新生活运动的范畴,还特意建立起针对年画的审查制度,将其视为引导乃至控制民众思想观念的工具。不论是在近代新式知识分子的大力提倡下,还是在政府的主导下,改良年画都是启蒙运动中一种不容忽视的思想载体和视觉媒介。
[Abstract]:At the end of Qing Dynasty, Peng Yizhong and other intellectuals proposed to improve Chinese traditional woodblock New year Pictures, advocate the elimination of old malpractices, the emancipation of women, the establishment of education, and so on, in order to realize the aspirations of opening up the people's wisdom and saving the nation from death. Yangliuqing of Tianjin, Wuqiang of Hebei, Weixian of Shandong and other famous painters responded to his opinion and produced a batch of works with novel themes and reflecting the social reality, which became an important part of the enlightenment movement of the lower society in this period. During the period of the Republic of China, the Beijing government and the national government not only brought the improved New year Pictures into the category of social education and the new life movement, but also set up the censorship system for the New year Pictures, which was regarded as a tool to guide and even control the people's ideas. Whether advocated by modern intellectuals or led by the government, the improvement of New year's Pictures is a kind of ideological carrier and visual medium which can not be ignored in the Enlightenment.
【作者单位】：南开大学历史学院;
【分类号】：K252;;K258

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