蔽显状态与情绪体验：谈《心帘之蔽显状态》系列的创作实践

发布时间：2018-06-24 03:29

本文选题：蔽显 + 表现　；参考：《吉林艺术学院》2017年硕士论文

【摘要】：在以往绘画专业的学习与研究中,生活环境的人和物潜移默化的影响着我的创作题材。寝室生活中的一扇窗户、窗户下边的一张桌子、窗户边儿的帘子以及在蔽显状态下的人物,都无形的带动着我创作的情绪,让我想要拿起画笔把夏天寝室的生活状态表现出来。这不仅仅拘泥于怎样把一个物品画得像,而更多的是能够表现这些体验带给我的一种情感,或是遮蔽、或是显露。通过很多画家的作品,我们都可以从中看出他们的想要赋予作品的情感,这些情感来源或是体验、或是感知,都在一定程度上来自于生活经历的影响。生活不等于艺术创作,但完全脱离生活情感的创作是相对不真实的,这也是我在创作过程中所一直坚持的。
[Abstract]:In the study and study of the previous painting major, people and things in the living environment imperceptibly affect my creative subjects. A window in the bedroom, a table under the window, the curtain on the side of the window, and the characters under the condition of the state, are imperceptibly driven by the mood of my creation, so that I want to pick up the brush to take the summer. The living state of the dorm is shown. It is not just about how to draw an object, but more to show an emotion that these experiences bring to me, or to cover, or reveal. Through many painters' works, we can all see the emotions they want to give to the work, the source or the experience. Or perception, to a certain extent, from the influence of life experience. Life is not equal to artistic creation, but the creation that is completely divorced from the emotions of life is relatively untrue, and this is what I persisted in the process of writing.
【学位授予单位】：吉林艺术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J213

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