浅析当代“新工笔”人物画

发布时间：2018-07-07 07:28

本文选题：“新工笔”人物画 + 面貌特点　；参考：《首都师范大学》2013年硕士论文

【摘要】：纵观20世纪工笔人物画的发展历程,在对传统的继承和对西方的借鉴过程中获得了渐进的发展。进入90年代以来,宽松的文化环境、活跃的艺术氛围激发了对工笔人物画创作各种形式的探索。当代“新工笔”人物画就是其中一种,在其短暂的发展过程中,涌现出一大批优秀的画家和作品,显著地影响了当代工笔人物画的面貌。相对于活跃的创作实践,对这一现象的理论研究还不够系统和深入。本文基于对当代“新工笔”人物画面貌的深入分析,以对其意义和价值的探讨为切入点,提供一种新的解读角度。本文的工作主要从以下三个方面展开：首先回顾了工笔人物画漫长的发展历程,梳理了当代“新工笔”人物画的产生和演变,并对当代“新工笔”人物画进行了概念界定,进而探讨了其产生和发展的原因。然后通过对张见、杭春晖、徐华翎等人作品深入地比较分析,从视觉形式、题材选择、艺术观念表现这三个方面阐述了当代“新工笔”人物画呈现的面貌特点,形成对当代“新工笔”人物画创作倾向的全面把握。最后用辩证的观点审视当代“新工笔”人物画的现实意义,并给出了自己的一些思考,引发人们对今后工笔人物画发展方向的思考。笔者认为,只有构建出自己立足传统、契合当下、成熟完备又流动开放的理论体系,才能算作对工笔画传统的全面超越。在这一意义上,当代“新工笔”人物画虽然做出了很有意义的尝试,但工笔人物画未来的发展方向还有待更多的探索。
[Abstract]:Throughout the 20 ~ (th) century fine brush figure painting development process, in the traditional inheritance and Western reference process has been gradually developed. Since 1990's, the relaxed cultural environment and active artistic atmosphere have inspired the exploration of various forms of fine figure painting creation. Contemporary "new fine brushwork" figure painting is one of them, in its brief development process, a large number of excellent painters and works emerged, which significantly affected the appearance of contemporary meticulous figure painting. Compared with active creative practice, the theoretical research on this phenomenon is not systematic and deep enough. Based on the in-depth analysis of the features of contemporary "new meticulous brushwork" figure painting, this paper provides a new interpretation angle with the discussion of its meaning and value as the starting point. The work of this paper is mainly carried out in the following three aspects: firstly, it reviews the long development course of fine brushwork figure painting, combs the generation and evolution of contemporary "new fine brushwork" figure painting, And the concept of contemporary "new fine brushwork" figure painting is defined, and the reasons for its emergence and development are discussed. Then through comparing and analyzing the works of Zhang Wei, Hang Chunhui, Xu Hualing, and so on, this paper expounds the features of contemporary "new meticulous brushwork" figure painting from the three aspects of visual form, theme selection and artistic concept expression. Form to the contemporary "new meticulous brushwork" figure painting creation tendency comprehensive grasp. Finally, the author examines the realistic significance of contemporary "new fine brushwork" figure painting from the dialectical point of view, and gives some thoughts on his own, which leads people to think about the development direction of fine brushwork figure painting in the future. The author believes that only by constructing a theoretical system which is based on tradition, suitable for the present, mature and complete, and flowing and open, can it be regarded as a comprehensive transcendence of the tradition of fine brushwork. In this sense, although the contemporary "new fine brushwork" figure painting has made a very meaningful attempt, but the future development direction of fine brushwork figure painting still needs more exploration.
【学位授予单位】：首都师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

【参考文献】