审美创作中风格图式的规范价值与修正

发布时间：2018-07-07 19:47

本文选题：图式 + 规范价值　；参考：《鲁东大学》2013年硕士论文

【摘要】：图式理论最早属于心理学的范畴，如今随着社会和科学技术的飞速发展，图式这一术语已被广泛运用到了美术学领域，并在相关研究中逐渐得到普及。然而纵观整个艺术史乃至现当代的许多审美艺术作品时，我们可以发现，人们在运用图式来理解、指导或进行艺术创作时，各自反映出了对图式的个性化理解。对图式的认识与内涵的不同感悟，会对艺术家的视知觉心理及其艺术实践产生不同的影响，因此，正确理解图式的概念、价值，对于我们的研究学习和艺术创作都会有新的启示。本文试图通过对审美艺术创作中风格图式的相关阐释，来论述审美艺术创作中风格图式即意味着创造的规范也意味着创造价值的可能。本文主要分三大部分，第一部分主要论述了有关图式的本质认识与概念理解。第二部分主要论述了风格图式作为规范的多种意义与价值。第三部分主要论述当代语境下中国绘画图式的修正与创造性转化。在第一部分有关图式的本质认识与概念理解中，主要从图式的概念、图式与形式的区别以及图式与社会文化的关系三个方面来阐述对图式的本质认识与概念理解。在第二部分风格图式作为规范的多种意义与价值中，主要从规范的涵义、图式赋予艺术家的观看方式、图式赋予审美艺术创作的新视野与技艺三个方面来论述风格图式作为规范的多种意义与价值，，其中在图式赋予审美艺术创作的新视野与技艺方面介绍了传统绘画图式的临摹、东亚及日本浮世绘图式还有非洲雕刻与儿童绘画等方面的技艺。在第三部分当代语境下图式的修正与创造性转化中，通过对当代语境和图式修正的正确理解，从当代中国油画中民族绘画元素的多样化体现和当代中国水墨图式的新气象两个方面来阐述当代语境下中国水墨与油画的图式修正与创造性转化。在审美艺术创作中风格图式意味着创造的规范也意味着创造价值的可能，如果我们以往并没有清楚地意识到这一点，那这篇文章中我们的讨论和思考将会帮助我们获得这种视野。
[Abstract]:Schema theory is the first category of psychology. With the rapid development of society and science and technology, the term "schema" has been widely used in the field of art science and is gradually popularized in the related research. However, we can find that people are using the whole art history as well as a lot of Contemporary and contemporary aesthetic art works. Schemata understand, guide or carry out artistic creation, each reflects the individualized understanding of the schema. The different perception of the understanding and connotation of the schema will have different influence on the artist's visual perception and art practice. Therefore, the correct understanding of the concept of the schema, the value, and our research and art creation will be all There is a new revelation.
This paper tries to explain the style schema in aesthetic art creation, which means that the standard of creation means the possibility of creating value through the explanation of the style schema in the aesthetic art creation.
This article is mainly divided into three parts. The first part mainly discusses the essential understanding and concept understanding of the schema. The second part mainly discusses the various meanings and values of style schema as a norm. The third part mainly discusses the revision and creative transformation of Chinese Painting Schema under the contemporary context.
In the first part, the essential understanding and concept understanding of schemata, mainly from three aspects of the concept of schema, the difference between schema and form, and the relationship between schema and social culture, the essential understanding and concept understanding of schema are expounded. In the various meanings and values of the second parts of style schema, the meaning is mainly from the standard, The schema endows the artist with the way of watching, and the schema gives the new vision and art of the artistic creation three aspects to discuss the various meanings and values of the style schema as a standard. The art of African sculpture and children's painting. In the third part of the contemporary context of the revision and creative transformation of the drawing style, through the correct understanding of the contemporary context and the revision of the schema, the contemporary context of the contemporary Chinese painting is reflected in the two aspects of the diversity of the elements of the national painting and the new meteorology of the contemporary Chinese ink painting. Schema revision and creative transformation of Chinese ink painting and oil painting.
In aesthetic artistic creation, style schema means that the norm of creation also means the possibility of creating value. If we are not clearly aware of this in the past, our discussion and thinking in this article will help us to get this view.
【学位授予单位】：鲁东大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J205

【共引文献】