重绘中国:新中国成立初期的年画运动与农民的抵制

发布时间：2018-07-07 22:24

本文选题：年画 + 新年画运动　；参考：《民族艺术》2016年03期

【摘要】：中华人民共和国成立初期政府尝试以艺术为宣传工具来巩固政权的文化进程及其受到的来自"草根"的抵制,表现出国家、艺术以及农民三者之间的相互关系。由此可以看出,普通大众并不是被动的接受者,他们会发挥自主性,在官方下达的"菜单"上有选择地进行消费,并不时通过"有声的"抵制来回应政府自上而下的改革。因此,年画运动其实成了一场官方与大众、生产者与消费者之间的文化之争,一场新政权的理想与中国本土民俗传统之间的意识形态较量。
[Abstract]:In the early days of the founding of the people's Republic of China, the government tried to use art as a propaganda tool to consolidate the cultural process of political power and the resistance from "grass roots", which showed the interrelationship among the state, art and farmers. It can be seen that ordinary people are not passive recipients. They exercise autonomy, selectively consume on the official menu, and sometimes respond to top-down government reforms through "vocal" boycotts. Therefore, the New year painting campaign has actually become a cultural dispute between the government and the public, producers and consumers, and an ideological contest between the ideals of a new regime and the Chinese local folklore.
【作者单位】：香港科技大学人文社会科学学院;华东政法大学社会发展学院;
【分类号】：J218.3

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