从作品《若耶溪西子浣纱石》浅析黄宾虹山水画笔墨语言中的均衡

发布时间：2018-07-08 08:07

本文选题：黄宾虹 + 笔墨语言　；参考：《中央美术学院》2014年硕士论文

【摘要】：黄宾虹是近代最具影响力的国画大师之一，他以自己独特的笔墨语言独树一帜，开创了山水画的新面貌，对山水画的发展起到了巨大的推动作用。同时，他也注重于艺术理论的研究，其个人哲学理念是以道家思想为中心，他通过对古人笔墨的研究所总结的“五笔”和“七墨”是他通过长期的绘画实践，，结合阴阳学说的研究，从而对笔墨语言的审美追求和笔墨的可能性作出总结，对中国画笔墨语言的传承和发展起到了重要的作用。当今学术界对笔墨语言的研究十分重视，黄宾虹的山水画则作为中国画笔墨语言研究中最重要的研究对象之一，他的山水画艺术根植于传统，并在传统的基础上创造性地建立了新的笔墨程式，为山水画的继往开来作出了伟大的贡献。黄宾虹的笔墨语言具有均衡的特点，而均衡则是笔墨语言中至关重要的因素，构成了画面的对立统一关系。本文以黄宾虹的晚年作品《若耶溪西子浣纱石》为例，从三个方面进行分析，分别是阴阳布局、线条部署和虚实关系所形成的均衡，剖析黄宾虹的笔墨语言如何在画面中形成均衡的状态。均衡可以作为我们对自己作品的评判标准和笔墨训练的追求方向，还可以用此来优化自己的艺术表现手法。
[Abstract]:Huang Binhong is one of the most influential masters of traditional Chinese painting in modern times. He has created a new landscape painting with his unique pen and ink language and played a great role in promoting the development of landscape painting. At the same time, he also paid attention to the study of art theory, his personal philosophy idea was centered on Taoist thought, and his "five strokes" and "seven ink" which he summed up through the study of the ancient pen and ink were his long-term painting practice. Combined with the study of the theory of yin and yang, it summarizes the aesthetic pursuit and the possibility of pen and ink, and plays an important role in the inheritance and development of the language of Chinese painting. Nowadays, the academic circles attach great importance to the study of the language of brush and ink, while Huang Binhong's landscape painting is one of the most important research objects in the study of the language of Chinese painting, and his art of landscape painting is rooted in the tradition. And on the basis of the traditional creative establishment of a new ink and pen program, landscape painting for the future to make a great contribution. Huang Binhong's pen and ink language has the characteristic of equilibrium, and equilibrium is a crucial factor in the language of pen and ink, which forms the unity of opposites of the picture. This paper takes the work of Huang Binhong in his later years as an example to analyze from three aspects: the balance formed by the layout of Yin and Yang, the arrangement of lines, and the relationship between deficiency and reality. This paper analyzes how Huang Binhong's pen and ink language forms a balanced state in the picture. Equilibrium can be regarded as the criterion of judging our own works and the pursuit direction of pen and ink training, and it can also be used to optimize our artistic expression techniques.
【学位授予单位】：中央美术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

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