塔皮埃斯艺术的再运用
发布时间:2018-07-08 16:32
本文选题:“塔皮埃斯” + “油画” ; 参考:《福建师范大学》2014年硕士论文
【摘要】:塔皮埃斯是世界级非形式主义代表,被认为是二十世纪最杰出的西班牙艺术家之一。塔皮埃斯对物质材料肌理的探索和研究为艺术界开创了前所未有的新面目。本文通过研究塔皮埃斯各个时期不同的生活环境、时代背景,思想观念变化以及在他的艺术中材料语言的运用,试着解读在他的画面中通过肌理、物质材料和色彩的结合所传递出的某些精神性的内涵,塔皮埃斯艺术的伟大在于他赋予绘画材料本身的意义,他善于在绘画中表达自己的观念和情感,而这一点,也是真正的绘画的价值所在。而材料艺术发展至今,已经呈现出多元化发展趋势,甚至从二维化向三维世界发展,但不管创作方式如何改变,投注于艺术创作中的精神性始终占据着重要地位。纵观中国当代艺术的发展,中国当代艺术家对综合材料的关注度可谓是越来越高,而塔皮埃斯是研究综合材料艺术的佼佼者,他对绘画形式,材料语言,以及物质材料的探索都体现了他伟大的艺术观。通过研究塔皮埃斯的艺术,无疑对中国当代艺术界的发展方向起着启示性的作用,具有深厚的学术研究价值。
[Abstract]:Tapias is a world-class non-formalist and is regarded as one of the most outstanding Spanish artists of the twentieth century. Tapias' exploration and research on the texture of material has created an unprecedented new face for the art world. By studying the different living environment, the background of the times, the change of ideas and the use of the material language in his art, this paper tries to interpret the texture of Tapias in his pictures. Some of the spiritual connotations of the combination of material and color, the greatness of Tapias art lies in the meaning he gives to the painting material itself, in which he is good at expressing his ideas and feelings, and this, It is also the value of real painting. But the development of material art up to now, has shown a diversified development trend, even from two-dimensional to three-dimensional world development, but no matter how the way of creation changes, betting on the spirit of artistic creation has always occupied an important position. Looking at the development of Chinese contemporary art, Chinese contemporary artists are paying more and more attention to comprehensive materials, and Tapias is the best in studying the art of comprehensive materials. And the exploration of material embodies his great view of art. The study of Tapias' art undoubtedly plays an enlightening role in the development of Chinese contemporary art and has profound academic research value.
【学位授予单位】:福建师范大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J205
【参考文献】
相关期刊论文 前1条
1 陈艳麒;;材料艺术的六个维度[J];艺术与设计(理论);2013年12期
,本文编号:2108035
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