当代甘南藏族题材工笔人物画创作探析

发布时间：2018-07-09 13:34

本文选题：当代 + 藏族题材　；参考：《湖南师范大学》2014年硕士论文

【摘要】：甘南藏族地处甘、川、青交接处,是一个以藏族为主体的多民族聚居区,民族文化的多样化及文化的交汇和融合,导致了安多藏区与其他藏区相比,有着自己的代表性与特殊性。更重要的是甘南地区的气候、人文、语言方面与内陆地区联系更为紧密些,这是画家们进行绘画创作的源泉和灵感的来源,甘南藏族题材工笔人物画是当代藏族题材工笔人物画的重要组成部分。对甘南藏区藏族题材工笔人物画的研究应该是对藏族题材工笔人物画研究的题中之义,是不可或缺的组成部分,进而更好的传播与传承藏区文化。本文通过对甘南地区实地考察、查阅相关资料、综合分析比较、创作实践等环节,对用传统的工笔画表现当代甘南藏族题材工笔人物画做了相应的研究和分析。综合运用西方写实和中国传统写意表现技法对藏族题材工笔人物画进行创作。全文共分为五章：第一章简要描述了论文的写作背景；第二章是从甘南藏区的地域及民族特征两个方面展开论述；第三章是对古代表现藏族人物代表作品进行赏析及当代藏族题材工笔人物画作品解析。第四章是重点解决在创作时的以下几个问题：如何通过藏族生活中提炼创作主题,如何更好地从速写当中探讨构图,如何更好把握关于藏族人物的造型问题,如何更好地在创作中运用写实色彩的表现手法来提升作品的意境来进行论述。第五章是概述新时代对藏族题材工笔人物画的影响。全文以发展当代藏族题材工笔人物画为出发点,在发掘藏民族的民族性,地域性与现代艺术的交融的前提下,描绘他们的民族生活风情。传承他们灿烂的文化是历史赋予当代工笔画者的必然选择。
[Abstract]:Gannan Tibetan is located at the junction of Gansu, Sichuan, and Qinghai. It is a multi-ethnic settlement area with Tibetans as the main body. The diversity of national cultures and the intersection and integration of cultures have led to the comparison between Ando Tibetan areas and other Tibetan areas. It has its own representativeness and particularity. What is more important is that the climate, humanities and language of the Gannan region are more closely linked to the inland areas. This is the source of inspiration and source of inspiration for painters to create their paintings. Gannan Tibetan theme fine brushwork figure painting is an important part of contemporary Tibetan subject fine brushwork figure painting. The study of Tibetan fine brushwork figure painting in Gannan Tibetan area should be the meaning of the study of Tibetan figure painting, which is an indispensable part, and then better dissemination and inheritance of Tibetan culture. Through the field investigation of Gannan area, consulting relevant materials, comprehensive analysis and comparison, creative practice and other links, this paper makes a corresponding study and analysis on the performance of contemporary Gannan Tibetan subject fine brushwork painting with traditional meticulous brushwork. Comprehensive use of Western realism and Chinese traditional freehand brushwork techniques to Tibetan subject-brush figure painting creation. The thesis is divided into five chapters: the first chapter briefly describes the writing background of the paper, the second chapter discusses the regional and ethnic characteristics of Gannan Tibetan region. The third chapter is the appreciation of the representative works of ancient Tibetan figures and the analysis of contemporary Tibetan works of fine brushwork. The fourth chapter focuses on solving the following problems in the process of creation: how to refine the theme of creation through Tibetan life, how to better discuss composition from sketch, how to better grasp the modeling problems of Tibetan characters, How to better use realistic expression to improve the artistic conception of works to discuss. The fifth chapter is an overview of the influence of the new era on the Tibetan theme of meticulous figure painting. Based on the development of contemporary Tibetan style figure painting, this paper describes the national life of Tibetan nationality on the premise of exploring the national character, regional character and modern art of Tibetan nationality. Inheriting their splendid culture is the inevitable choice that history endows contemporary painters.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

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