吴冠中绘画意境研究
发布时间:2018-07-09 16:58
本文选题:艺术形式 + 审美意境 ; 参考:《云南师范大学》2013年硕士论文
【摘要】:吴冠中在70余年的中西融合探索中创造出崭新的艺术形式,新的审美境界。他的审美创作无论在东方还是在西方艺术角度审视和鉴赏都独树一帜。他以巨大的热情,甘于为艺术献身的精神不断地探索“油画民族化”,“水墨现代化”,在油画与水墨画的创作中极力追求画面抽象的形式美感,独特的审美境界。他探索的是中国韵味,中国意境与西方现代形式美规律相结合的新画题。简言之,就是追求各种有意境的美感形式。具象、半抽象、抽象的形式意境美探索。本论文主要研究吴冠中是怎样创造出新的审美意境。意境是意象的升华,是艺术品的最高层次和阶段,是真景物,真感情的交融互渗。吴冠中对自己艺术的最高追求和目标就是创造有意境的美感形式。意境体现艺术美,在创造、鉴赏和批评中把意境作为衡量艺术美的美学标准,无论是艺术创作还是艺术批评,意境都涉及审美经验,审美心理的基本规律。本文从三个方面对吴冠中绘画意境美的创造进行分析:首先,运用现代审美心理学的相关知识对吴冠中艺术创作的审美经验进行分析从而揭示出意境生成的过程是在他强烈地情感倾向以及特殊的审美心理活动状态下发生的。吴冠中绘画意境的生成是由独特形式美感的客观物象刺激,从而激起了他的审美情感,在审美情感的促发下通过创造性想象最终创造出具有真情实感,合乎自然的“象外之象”,象外之境。其次,分析吴冠中绘画意境的构成,是由画中的实境与实境引发想象而生成的虚境,“象外之象”,象外之境,虚实结合,虚实相生构成的意境。最后分析吴冠中绘画的构图形式,形式中蕴含着意境。他画中意境的营造就是通过具体可感的形式美构成得以最终完成的。不同的美感形式渲染出各异的审美意境。总之,其意境是由独特美感的客观物象激发情感和意志,经由他的创造性想象而超越对象的物质有限性和主体精神的局限性,达到高度自由的审美境界。吴冠中意境的创造经由审美体验、审美构思、审美传达得以最终实现。
[Abstract]:Wu Guanzhong created a new artistic form and a new aesthetic state in the 70 years' exploration of the integration of China and the West. His aesthetic creation is unique both in the East and in the West. With great enthusiasm, he is willing to devote himself to the art of exploring the "nationalization of oil painting" and "the modernization of ink and wash". He strives to pursue the abstract aesthetic sense of form and the unique aesthetic realm in the creation of oil painting and ink painting. What he explores is the Chinese charm, the Chinese artistic conception and the western modern formal beauty law. In short, it is the pursuit of various aesthetic forms of artistic conception. Concrete, semi-abstract, abstract form of artistic conception of exploration. This thesis mainly studies how Wu Guanzhong creates a new aesthetic conception. Artistic conception is the sublimation of image, the highest level and stage of art, the mixture of true scenery and true feelings. Wu Guanzhong's highest pursuit and goal of his art is to create aesthetic forms with artistic conception. Artistic conception embodies artistic beauty. In creation, appreciation and criticism, artistic conception is regarded as the aesthetic standard to measure artistic beauty. Whether it is artistic creation or artistic criticism, artistic conception involves the basic law of aesthetic experience and aesthetic psychology. This paper analyzes Wu Guanzhong's creation of artistic conception beauty from three aspects: first of all, By analyzing the aesthetic experience of Wu Guanzhong's artistic creation by using the relevant knowledge of modern aesthetic psychology, it is revealed that the process of artistic conception formation occurred under his strong emotional tendency and special aesthetic psychological activity. Wu Guanzhong's artistic conception of painting was stimulated by the objective object image of his unique form of aesthetic feeling, thus arousing his aesthetic emotion, and finally creating a true feeling through creative imagination under the promotion of aesthetic emotion. The natural "image outside the image", the image outside the territory. Secondly, analyzing the composition of artistic conception in Wu Guanzhong's painting is a kind of artistic conception which is formed by the imagination caused by the real situation and the real situation in the painting, which is composed of "the image outside the image", "the image outside the image", the combination of the virtual reality and the reality, and the combination of the reality and the reality. Finally, the composition of Wu Guanzhong painting, the form contains artistic conception. The creation of artistic conception in his paintings was finally completed through the concrete and perceptible formal beauty formation. Different aesthetic forms render different aesthetic conception. In a word, its artistic conception excites emotion and will by the objective object image of unique aesthetic feeling, surpasses the material finiteness of the object and the limitation of the subject spirit through his creative imagination, and achieves the highly free aesthetic realm. The creation of artistic conception in Wu Guanzhong is realized through aesthetic experience, aesthetic conception and aesthetic communication.
【学位授予单位】:云南师范大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J212
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